was. Mebbe it is. I got my fingers on a fine old clock once, and I tell you, no matter how many times I took it to pieces and put it back together, I couldnât see what made it tick. Point is, just âcause a thingâs strange, that donât mean itâs not real. Donât see why speaking to ghosts should be any different.â
That was . . . a very Charley way of seeing the whole business, but the dark thing in Thomasâs belly lightened like a sunrise. This would be fun, and he would get answersânot all of them perhaps, but some. He would find out why Thistle had been left for him. Someone there tonight would know; he could feel it clear as he could feel the paper in his pocket when he put his hand there. Speak to no one.
Feh, as Silasâd say.
They were almost there. A queue of people snakedalong the wall of the grand theater, and it began to slither forward as the doors were flung open. The queue was made up of people like Thomas and Lucy and Charley, dressed in their best that wasnât good enough, not compared to the ladies and gents stepping out of carriages at the curb. They were clothed in silks and taffetas, and they swept past the rabble straight into the theater. Such people did not do something so common as wait.
Soon, it was time to climb the marble steps. How different it felt to loose, grime-slicked cobbles.
âStay behind me and keep close, both of you,â Lucy instructed, fishing the tickets from her purse. Around her shoulder, Thomas saw a bearded man in a top hat greeting some of the fancier guests, one eye on a wooden box with a slot cut into the top. Lucy slipped the tickets inside and stepped out of the way to make room for the group behind them.
âUpstairs, quickly,â she said, eyes wide at the poshness of the place. âThomas, take your cap off; now, thereâs a good lad.â
Their seats were in the darkest, most shadowy corner of the theater, high at the top at one end of the very last row. Far below was an ocean of jewels, and in the boxes that lined the walls too. Thomas caught Lucy staring into one of them for a long time.
âMy word,â she whispered, but said nothing more.
A chap in a scruffy suit stood as they neared the velvet chairs whose numbers had been printed on those fancy bits of paper. He had been seated in the one at the very end and jumped to his feet at the sight of them.
âMadam, may I help you and your sons get settled?â he asked kindly. Thomas scoffed. What kind of fool needed help sitting down? Lucy, however, nodded.
âThatâs very kind. Thank you, sir.â
âWhitlock Jensen, spiritualist, at your service. These are yours?â He gestured to the three beside his own and, at Lucyâs second nod, took her arm and led her along the row. It had been a bit of a walk from south of the river; Lucy sank into the chair with a sigh.
âSpiritualist, eh? So you know all about this, then?â
The man frowned. âI wouldnât say I know all about this , madam. Now, lads, you take these two.â Charley hopped onto the one next to Lucy, and Thomas shook the manâs hand away as he took his own. He didnât need help sitting. Standing, perhaps, after a long night of digging, when his whole body ached, but sitting never posed any difficulty.
âOi, feel this, Tom,â said Charley, running his finger across the back of the seat in front. âEver known anything so soft?â
Thomas hadnât. Not felt anything so soft, nor seenanywhere so packed to the brim with diamonds and gold. The walls themselves were lined with silk, and an enormous chandelier hung from the ceiling, looking like winter, so heavy it was with glittering crystals, clear and sharp as ice.
âAlways puts on a show, does Mordecai,â murmured the man next to Thomas. Every seat was full. The stage was hidden behind a wall of plush, mustard-colored velvet curtains. Candles flickered
Jessica Brooke, Ella Brooke