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themselves in the emptiness of the streets to an echo of routed multitudes. Yet it was not my father but my son who accosted me with such rancorless intent.
    On Gay Street the traffic lights are stilled. The trolleyrails gleam in their beds and a late car passes with a long slish of tires. In the long arcade of the bus station footfalls come back like laughter. He marches darkly toward his darkly marching shape in the glass of the depot door. His fetch come up from life's other side like an autoscopic hallucination, Suttree and Antisuttree, hand reaching to the hand. The door swung back and he entered the waiting room. The shapes of figures sleeping on the wooden benches lay like laundry. In the men's room an elderly pederast leaning against a wall.
    Suttree washed his hands and went out past the pinball machines to the grill. He took a stool and studied the menu. The waitress stood tapping her pencil against the pad of tickets she held.
    Suttree looked up. Grilled cheese and coffee.
    She wrote. He watched.
    She tore off the ticket and placed it facedown on the marble counter and moved away. He watched the shape of her underclothes through the thin white uniform. In the rear of the cafe a young black labored in a clatter of steaming crockery. Suttree rubbed his eyes.
    She came with the coffee, setting it down with a click and the coffee tilting up the side of the pink plastic cup and flooding the saucer. He poured it back and sipped. Acridity of burnt socks. She returned with napkin, spoon. Ring of gold orangeblossoms constricting her puffy finger. He took another sip of the coffee. In a few minutes she came with the sandwich. He held the first wedge of it to his nose for a minute, rich odor of toast and butter and melting cheese. He bit off an enormous mouthful, sucked the pickle from the toothpick and closed his eyes, chewing.
    When he had finished he took the quarter from his pocket and laid it on the counter and rose. She was watching him from beyond the coffee urn.
    You want some more coffee? she said.
    No thank you.
    Come back, she said.
    Suttree shoved the door with his shoulder, one hand in his pocket, the other working the toothpick. A face rose from a near bench and looked at him blearily and subsided.
    He walked along Gay Street, pausing by storewindows, fine goods kept in glass. A police cruiser passed slowly. He moved on, from out of his eyecorner watching them watch. Past Woodruff's, Clark and Jones, the theatres. Corners emptied of their newspedlars and trash scuttling in the wind. He went down to the end of the town and walked out on the bridge and placed his hands on the cool iron rail and looked at the river below. The bridgelights trembled in the black eddywater like chained and burning supplicants and along the riverfront a gray mist moved in over the ashen fields of sedge and went ferreting among the dwellings. He folded his arms on the rail. Out there a jumbled shackstrewn waste dimly lit. Kindlingwood cottages, gardens of rue. A patchwork of roofs canted under the pale blue cones of lamplight where moths aspire in giddy coils. Little plots of corn, warped purlieus of tillage in the dead spaces shaped by constriction and want like the lives of the dark and bitter husbandsmen who have this sparse harvest for their own out of all the wide earth's keeping.
    Small spills of rain had started, cold on his arm. Downstream recurving shore currents chased in deckle light wave on wave like silver spawn. To fall through dark to darkness. Struggle in those opaque and fecal deeps, which way is up. Till the lungs suck brown sewage and funny lights go down the final corridors of the brain, small watchmen to see that all is quiet for the advent of eternal night.
    The courthouse clock tolled two. He raised his face. There you can see the illumined dial suspended above the town with not even a shadow to mark the tower. A cheshire clock hung in the void like a strange hieroglyphic moon. Suttree palmed the water from his