wider. âThat sounds serious.â
You nod and put on your most serious face. âOh, it is,â you tell him. âIncredibly serious. If someone doesnât put sunscreen on my back right now, I might turn into a lobster.â
His eyes go to your book. âBetter than an insect,â he says. âOr whatâs the actual description? A monstrous vermin?â
You flip open
The Metamorphosis
. Heâs quoted it exactly. âHowâd you know that?â you ask.
He shrugs. âWords stick in my head. Read that one last year. Iâm Marco, by the way.â
You introduce yourself and ask, âDid you read it for class?â
He nods, then holds up
The Iliad
again, this time with the cover facing you. âThis oneâs summer reading for college. But itâs pretty good.â
Youâre shocked. âCollege gives you homework over the summer?â
He sighs. âYeah. Columbia does, at least. All incoming first years have to read this one. It seemsright to read it on the beach, though, because of lines like: âHe saileth in his many-benched ship over the wine-dark sea.ââ
You look out at the ocean. âDoesnât look so âwine-darkâ to me,â you say.
Marco laughs. âGood point. So you want me to sunscreen you up?â
You hand over the tube of sunscreen, and he pats the blanket in front of him. You sit down.
âI heard youâre supposed to use about a shot glass full of sunscreen per application,â he says. âBut since this is just for your back . . . what do you think, a quarter of a shot glass?â
You twist your neck around to see if heâs serious about this. You canât really tell. âA quarter of a shot glass sounds good to me,â you say.
He nods and starts squeezing sunscreen into his palm. âI think thatâs about right,â he says, holding his hand out so you can see it.
âLooks good,â you say, trying not to laugh. Thereâs something kind of endearing about how seriously heâs taking this sunscreen job.
He rubs the sunscreen into your back, and you feel how strong his fingers are. You wonderif he does finger exercises to strengthen them. Do people make finger weights? Little finger barbells? Or maybe itâs from the piano or something.
âDo you play an instrument?â you ask.
His hands disappear from your back. âI do,â he says. âThe guitar. Why do you ask?â
Youâre glad heâs facing your back, because you know youâre blushing. âYou, um, have really strong fingers,â you say.
He rubs more sunscreen across your shoulders and the back of your neck. âIâve got calluses, too, though, so theyâre not very soft. Guitar strings are not kind to fingertips.â
His hands disappear from your back again. âYouâre all rubbed in,â he says.
You flip around on the towel so youâre facing him. âThanks,â you say. âI really appreciate it. I should probably let you get back to your book now.â
Marco looks at you for a long moment. âYou could,â he says. âOr you could take a walk with me along the shoreline. I think I might need a break from
The Iliad
, as lovely as it is.â
Youâre intrigued. You know that if you tell thisstory to Tasha, itâll totally count as a point in the flirting challenge. But you wonder if Marco could be a point in the kissing challenge, too.
Click here if you want to go for a walk with Marco.
- - - - -
Click here if you realize Tashaâs been gone a while and think you should probably go find her.
Click here to go back to reading The Metamorphosis .
- - - - -
Click here to go back to the beginning and start over.
AS cute as retro-glasses guy and his dimple are, you decide youâd rather keep reading your book. You sunscreen your back as best you can and flip over onto your stomach. But before you have a
Katlin Stack, Russell Barber