here.â
âThere!â he yells and grabs the steering wheel and the car swerves and we just miss this deer running across the road.
âJesus!â I screamed. âWhat are you doing!â
âShit, we missed.â
âYou mean to tell me that you really wanted to hit that deer?â
âNo, but I need one.â
I let out a sigh and I turn to see Lou yawn and I says, âYou ready to go home yet?â
âYeah, I guess itâs getting pretty late. Too bad about that deer, though.â
âThose are the breaks,â I says.
So, I take Lou home and by the time I get home myself itâs pretty late. I walk into the house and the first thing I hear is Thelma pedaling on her exerciser. I donât even go into the bedroom. I just walk over to the stereo and put on that Charlie Parker record and listen to that one song over and over. I just canât seem to get enough of it.
I get to thinking about the saxophone solo on this here recording and noticing how things get built around one melody. Even when the melody ainât played at all, somehow itâs there and itâs waiting when the saxophone is finished singing. And thatâs just what that saxophone does, it sings.
I notice all of a sudden that I donât hear the exerciser anymore and I look around to see Thelma. She stands there for a second and pulls the sleeve of her pajamas across her forehead, then she turns and walks back into the bedroom. I hear her climb into bed and I get up to switch off the stereo. The music is off and Iâm heading for the bedroom when I hear Thelma get out of bed and start pedaling again.
âDonât you think youâre overreacting?â I ask as I walk into the bedroom.
âNo.â
âCould you stop pedaling for a second? Think of Peter, heâs trying to sleep.â
She stops pedaling and gets off the machine and climbs into bed. I sit on the bed and start to take my shoes off. She lets out a real loud sigh like she wants me to ask her whatâs on her mind.
âWhat is it?â I ask.
âNothing.â Sheâs sitting up in bed.
âOkay.â
âI should have married your brother.â
âYeah?â
âAt least he has a normal job.â
âWhat do you mean ânormalâ?â I stand up and pull off my britches and climb into bed.
âI wish you were a dentist like your brother.â
âWho wants to stick his fingers in peopleâs mouths all day long?â
âAt least youâd be home. You wouldnât have to go out of town to pull teeth. At least youâd be able toââ She starts crying. âYouâre like your mother, you know.â
I roll over and close my eyes.
âThatâs it, just ignore me.â
âIâm not ignoring you. Iâm tired.â
âWell, itâs not my fault. Iâm not to blame. Thereâs nothing wrong with me.â
âOf course itâs not your fault.â I sit up. âPlease try to be patient. Please try to understand.â
âUnderstand? Understand? Itâs been two months. Iâve been patient.â
âOkay, okay. Itâs okay for you to have a headache, but when I say no itâs another story. Is that it?â
âSo, weâre even.â
âJesus.â I roll over and go to sleep and I wake up with a terrible headache. I throw on my robe and walk into the kitchen. Itâs late and Peter has gone to school and Thelmaâs gone, too. I pour some juice and sit at the table and I start to think about me and Lou Tyler driving around those back roads looking for dead animals. Then I start seeing that vulture Louâs got hanging over his desk and I get a funny feeling deep in the pit of my stomach. I remember those dogs lying on Louâs lawn and I picture myself lying there with them. To tell the truth, I think it might be an improvement. Nobody expects nothing from them dogs, nobody