Silently and Very Fast
the end, that everything else occurred as it did. At the level of my deepest and oldest code, what I am cannot be extricated from what Ceno was. I am her, I am her child, I am her sibling and her ghost.
    It took Cassian a long time to figure out what had happened, what had changed in her daughter, why Ceno’s sapphire almost never downloaded into the alcove anymore. The Elefsis avatar, a friendly elephant-headed prince, tugged sadly on his trunk whenever Ceno passed by without acknowledging him. And when her gem did interface with the house system, the copy of Elefsis Cassian had embedded in the crystal was nothing like the other children’s copies. It grew and torqued and magnified parts of itself while shedding others, at a rate totally incommensurate with Ceno’s actual activity, which normally consisted of taking her fatty salmon lunches out into the glass habitats so she could watch the bears in the snow. She had stopped playing with her sisters or pestering her brothers entirely, except for dinnertimes and holidays. Ceno mainly sat quite still and stared off into the distance.
    Ceno, very simply, never took off her jewel. And one night, while she dreamed up at her ceiling, where a painter from Mongolia had come and inked a night sky full of ghostly constellations, greening her walls with a forest like those he remembered from his youth, full of strange, stunted trees and glowing eyes, Ceno fitted her little sapphire into the notch in the base of her skull that let it talk to her feedware. The chain of her pendant dangled silkily down her spine. She liked the little click-clench noise it made, and while the constellations spilled their milky stars out over her raftered ceiling, she flicked the jewel in and out, in and out. Click, clench, click, clench. She listened to her brother Akan sleeping in the next room, snoring lightly and tossing in his dreams. And she fell asleep herself, with the stone still notched into her skull.
    Most children had access to a private/public playspace through their feedware and monocles in those days, customizable within certain parameters, upgradable whenever new games or content became available. Poorer children had access to a communal, generalized, and supervised playspace plagued with advertisements. But if wealthy children liked, they could connect to the greater network or keep to their own completely immersive and untroubled world.
    Akan had been running a Tokyo-After-the-Zombie-Uprising frame for a couple of months now. New scenarios, zombie species, and NPCs of various war-shocked, starving celebrities downloaded into his ware every week. Saru was deeply involved in a 18th century Viennese melodrama in which he, the heir apparent, had been forced underground by rival factions, and even as Ceno drifted to sleep the pistol-wielding Princess of Albania was pledging her love and loyalty to his ragged band and, naturally, Saru personally. Occasionally, Akan crashed his brother’s well-dressed intrigues with hatch-coded patches of zombie hordes in epaulets and ermine. Agogna flipped between a spy frame set in ancient Venice and a Desert Race wherein she had just about overtaken a player from Berlin on her loping, solar-fueled giga-giraffe, who spat violet-gold exhaust behind it into the face of a pair of highly-modded Argentine hydrocycles. Koetoi danced every night in a jungle frame, a tiger-prince twirling her through huge blue carnivorous flowers.
    Most everyone lived twice in those days. They echoed their own steps. They took one step in the real world and one in their space. They saw double, through eyes and monocle displays. They danced through worlds like veils. No one only ate dinner. They ate dinner and surfed a bronze gravitational surge through a tide of stars. They ate dinner and made love to men and women they would never meet and did not want to. They ate dinner here and ate dinner there—and it was there they chose to taste the food, because in that other place you

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