voice said. âHow can I help you?â
A live person!
âIâm checking on my flight. Flight number 741,â Vera said.
âJust a moment please,â the voice said.
âWhat is your full name and confirmation number please?â the voice came back on after a few minutes.
Vera told her.
âIâm sorry that reservation has been cancelled. Did you not cancel your flight?â
Flummoxed, Vera hung up the phone. She didnât know what to say. A brew of emotions filled her. Her mother must have cancelled the flight and returned home earlier. Veraâs hand balled into a fist and she reached for her bag before heading to the studio.
When Sheila walked into the dance studio, Vera was staring off into space.
âHey!â she said. âYou still with us?â
âHuh?â Vera said.
âWhatâs wrong with you?â Sheila said. âThinking about that proposal again?â
âConcerned about Mama and Jon.â She ignored the proposal bit from Sheila. Honestly!
âIâve been thinking . . . have you called the airline?â
âAnnie called this morning and said passenger lists are private. Cops could get them, though,â Vera said. âBut then I had this crazy idea and it worked.â She told Sheila what had happened.
âSo evidently she cancelled her flight and came back to the States early,â Sheila said. âBut where is she?â
âI donât know,â Vera said, throwing aside her pencil. âShe doesnât have her cell phone with her and Jon never has his with him. Besides, their luggage is at home. Mamaâs luggage is already home, on her bed, with her cell phone.â
âWhy donât we get Detective Bryant involved?â Sheila said after a few beats.
âYou mean file a missing persons report?â Vera asked.
âThatâs exactly what I mean,â Shelia said, crossing her arms.
âOh, I donât know. Thatâs serious stuff to get the police involved.â
âAnd why shouldnât you?â Sheila said. âYour mom is going to be eighty-five years old and sheâs missing.â
âIf they found her and she was fine, sheâd kill me,â Vera said, biting her lip.
Sheila grinned. âMight be worth it.â
âI might do it. Iâll give Bryant a call and see what he says.â
âGood idea. Iâm off to the grocery store,â Sheila said.
As she left, she turned to look at Vera, edged between her desk and the computer, surrounded by papers. How many times had she seen her friend in this same tableau? The studio was decorated in pinks and browns and the walls were covered with posters of ballerinas. One of these days, Sheila vowed to make a scrapbook for Vera, the woman who had made countless scrapbooks for her ballet students over the years.
As she walked out on to the street, Sheilaâs cell phone blared. âWhat?â she said, after seeing Steveâs name on the screen. Sheâd just left him, for Godâs sake.
âSomething is wrong with Donna,â he said.
âWhat? What do you mean?â she said, her skin vibrating.
âShe wonât get up,â Steve said.
âSheâs just tired,â Sheila said.
âI walked past her room and sheâs wide awake, but staring into space . . . and thereâs a foul odor coming from her room. I wanted to go in there, but I think sheâs peed herself,â Steve said. âAnd she wonâtââ
Sheila shoved her phone into her purse and ran home. What was happening to Donna?
She ran down the block past everything familiarâbut it all looked so strange, so menacing. All of it stood between her and her daughter. She saw her house and it looked so far away. So far. Too far. She continued to run, past the neighbors, past the woman who said hello to her. Sheila passed her with a blur, but she didnât care. She needed to get home to her
Brian Keene, J.F. Gonzalez