bloodâs going to come running down any minuteâonly it doesnât. I think back to all the times Iâve had sex, and it seems like every memory has gold and silver condom wrappers, like chocolates covered in golden foil to look like coins, that the boys leave behind once they get up, once we pull apart. This is what Iâm thinking when I see the woman laying half in the road, half in the grass.
âThatâs a woman,â I say.
âThatâs a car,â Skeetah says. And there, caught in the pines like a cat ascending a trunk, is a car. It looks as if it jumped there, as if it wanted to see what bark felt like, and flipped over to grip the tree.
âDidnât they know to slow down coming through here?â Skeetah asks. âGot signs everywhere.â
âMaybe they not from here,â I say, because there is a man pacing in the ditch, and he is holding his head. Blood slides in a curve down the side of his face, between his fingers and down his forearms. He could not have known the road would curl like his streaming blood in this, the trickiest part of the bayou to drive. He could not have known that the road clung to whatever dry land it could find, and that it was no place to drive over the speed limit. Daddy had wrecked his truck here once, when he was drunk. When he came home after the police let him out, he cursed for a good two hours about Dead Manâs Curve.
âYâall need help?â Big Henry asks out the window as we slow to a stop. Skeetah looks straight ahead, ignores the scene out his window, the pacing man.
The man looks up, climbs from the ditch. It is as if he doesnât see the woman as he steps so close to her, he could kick her. He has a cell phone in one hand, smashed up against his ear, his thin brown hair in his other. He is wearing a white shirt with white buttons, and the blood has made a beauty contestant sash across his chest.
âCan you tell me where Iâm at?â he says. His voice is loud, as if he is shouting at an old person who is hard of hearing. âIâm on the phone with 911, and they need to know where Iâm at.â
âTell them you in between Bois Sauvage and St. Catherineâs, on the bayou. Tell them the closest road is Pelage, and you right before the Dedeaux Bridge.â
The man nods, opens his mouth to speak.
âIâm â¦â He closes it. âCan you? Iâm â¦â He reaches into the passenger-side window, holds the phone in a red grip in front of Skeetahâs face. Skeetah doesnât shrink away, doesnât move. Instead, he stares through the manâs hand. Big Henry, in his way, takes the phone with just two of his fingers. It is polka-dotted with blood.
âYeah, itâs been an accident. Two people, and they car flipped over in a tree.â Big Henry repeats the location. âThis the manâs phone, but the woman, she just laying there.â He pauses. âOkay. All right. I will.â He looks down in his lap, mumbles, âThank you.â On the ground, the woman still looks as if she is asleep: head on her bicep, hands open as if she has just let something go, laying on her side.
âWhatâd they say?â I ask.
âThey want us to stay here with them until they come. They going to be a few minutes.â
âI need to get home,â Skeetah says.
Big Henry stares at Skeetah as he pulls to the side of the road to park in the overgrown grass. I am almost afraid he will hit the man, who stands wilted in the ditch again, his toes no longer touching the woman. The man stares off as if he cannot see Big Henryâs car sliding past him, inches away.
âThe puppies. She donât know how to take care of them yet.â
Big Henry turns off the car. I hold myself. The pregnancy test crinkles. Big Henry removes the keys, looks at the manâs phone that he has dropped in his lap. He opens the door, pulls himself out of the