Saint Death - John Milton #3
Arizona, was a handsome relic from a different era. It had served an important purpose in the frontier years, the best place to stay in the last town before the lawlessness and violence of the borderlands. The hotel, built at the turn of the century, bore the name of the local dignitary for whom it was a labour of love. Mr. Robert E Leach was a southern nationalist, a supporter of slavery and, in later years, the US Ambassador to Mexico. It was Leach, who, in 1853, had overseen the purchase of all land, including southern Arizona, south of the Gila River, for the United States from the Mexicans. His hotel, a last beacon of respectability among the gun stores and bike repair shops of hard scrabble Cochise County, was the only monument to him now. It was still a fine building; it had seen better times, perhaps, but the Italian marble columns in the lobby and the marble staircase that curled up to the first floor were still impressing newcomers as they made their way to the reception desk to check in. The place was a relic of the Wild West, of Wyatt Earp and Geronimo, and the sounds of that time still echoed around the wood panelled walls.
    Beau Baxter knew everything there was to know about the Leach. He had a fondness for history and the faded glamour of the hotel, the sense of a place caught out of time, appealed to him. This area of Cochise County had been frequented by desperados, including celebrities like Clay Hardin, who had killed forty men by the time he was forty years old, and Billy the Kid, who had laid twenty-one men in their graves by the time he was twenty-one. Local outlaws who had stayed in the hotel included Clay Allison, Luke Short, Johnny Ringo and Curley Bill Brocious. Beau had read up on all of them. And the great Pancho Villa was reputed to have ridden his horse right up the marble staircase.
    He often met his clients here––those who didn’t require him to travel to Houston or Dallas, anyway––and he had been pleased that the man who had asked to see him today had been conducting business on the border and had not been averse to coming to him.
    Beau was in his early sixties, although he looked younger. His face was tanned and bore the traces of many dust-storms and rancorous bar-room brawls. He was wearing a light blue suit, nicely fitted, expensive looking. He wore a light blue shirt, a couple of buttons open at the throat, and snakeskin boots. He was sitting at a table in the lobby, his cream Stetson set on the table in front of him. The light was low, tinted green and blue by the stained glass skylights that ran the length of the lobby.
    A man was at the door, squinting into the hotel. He recognised his client: he was a man of medium height, heavy build, olive brown skin and quick, suspicious eyes. His hair was arranged in a low quiff, a dye-job with delicate splashes of silver on each side that made Beau think of a badger. He often dressed in bright shirts that Beau found a little distasteful. He did not know the man’s full name––it wasn’t particularly important––and he referred to himself just as Carlo. He was Italian, of a certain vintage, and belonged to a certain family of a certain criminal organisation. New Jersey. It was the kind of organisation about which one did not ask too many questions, and that suited Beau fine, too; they always paid their debts on time and their money was just as good as anyone else’s, as far as he was concerned.
    He stood and held out his hand. “Carlo.”
    “Baxter. This is a nice place. Impressive. Is it authentic?”
    “Been here nigh on a hundred years. I know they make a big play of it but the history here’s the real deal.”
    “Can’t believe, all this time we been working together, you’ve never once brought me here.”
    Beau shrugged. “Well, you know––never had the opportunity, I guess.”
    They sat on a sofa in the corner of the lobby and the man took out a brown envelope and set it on the table. “That’s yours,” he

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