who?â
âItâs around?â
âOff the record?â
âNot for attribution. Youâre a highly placed, badly dressed police source with a high forehead.â
âNot for attribution, Iâve heard the story.â
âWho were the mob guys?â
âWoof. Let me see. Marino was one.â
âThe same Marino you just found in the car trunk.â
âThe same one, only alive. And Tommy the Blond was another. Thatâs all I can remember hearing.â
âThanks.â
âWhoâs badly dressed?â
I hung up.
âWeâre going perky, Wells. Load for bear.â It was Vicki. Rafferty was standing next to her.
I swiveled to them. âHey. Grand Centralâs across the street, okay?â
Rafferty laid a hand on my shoulder. âI just want you to know, John, that weâre all counting on you to risk your job standing up to her so that we can smile and fawn and degrade ourselves in front of her and then pretend to support you when her back is turned.â
âListen,â I told him. âThere are plenty of worse things than perky.â
âEmphysema?â
âSee, thereâs one right there.â
Vicki lifted her head and shouted, âHey, everybody. Wells has sold out.â
There was a general âAwwwâ from around the room. I stood up. Fran brought my coffee.
âJust leave it here,â I said.
I hurried through the maze and around the city desk. Pushed out the glass doors to the bank of elevators. Lansing leaned her head out the glass doors after me. She smiled maliciously.
âGuess you two can sit around being perky together.â
The elevator opened. âI can be perky.â I got in. The door closed. âI can be as perky as anyone.â
I took the subway to Little Italy. I walked the winding, cramped, and smelly streets, between the crumbling walls of painted brick. On Kenmare, I went in the side door to a small garage. There was a man there named Marty Rapp. He was in his fifties now, but he had the frame of a linebacker. Arm muscles stretched his shirt open at his hairy chest. Leg muscles made his jeans tight. He had a sharp-featured, bullet-shaped head and a widowâs peak you could open a letter with. He was in the bay, leaning against the trunk of an old Camaro, smoking a cigarette. A man in overalls crouched down next to him. He had the carâs front door open and was working on its hinge with a screwdriver.
When I walked in off the street, Marty Rapp looked at me with marbly black eyes. He kept looking until I was standing directly in front of him.
âYouâre not here,â he said then. âGo away.â
âLetâs go in back.â
He shook his head, his pale lips parting. âWhat? Can I talk to you? No. Can I be seen with you? No. Go away, Wells.â
âItâs old stuff, Marty. Nothing hot.â
âNothing hot. Youâre hot. Youâre the whole reason Marino got whacked. Who is that? Is that me? No, itâs you.â
âI also pegged Mulroney for that arson charge,â I said. âYouâd have gone down for that. You owe me.â
He looked at the grimy ceiling. Then he leaned toward me. Then he tapped me on the chest with his finger. âWells. Mr. Dellacroce is still talking a whack on you. Is this a safe thing for us? You tell me.â
âTell Dellacroce Iâve written my obit naming him as the cause of death. He hits me, it runs. Now, come on, give me a break here, Marty. I need to know about E.J. McMahon.â
âFuck you.â
âWas Marino in on that?â
âFuck you.â
âTom Watts?â
âFuck you.â
âOkay,â I said, âweâll do it this way. If Tom Watts was in on it, just say: âFuck you.ââ
âFuck you.â
âMarino?â
âFuck you.â
âTommy the Blond?â
Marty Rapp put a cigarette to his lips carefully.