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like me had possessed her before. That’s what I was seeking, and that’s what I found with Nandini.
    She was exotic, Randy. I mean it — exotic. She shimmered into the office in gorgeous saris, bedecked with jewelry, fragrant with attar of roses, every nail perfectly painted, every hair in place. She smiled dazzlingly at me, her slightly uneven teeth gleaming, and she answered the phone in that convent-educated English with that special lilt only Indian women can manage, and she drove me crazy. I would call her in to dictate some meaningless routine correspondence and ask her to read it back to me just so I could hear her voice lend magic to my words. And also, I’ll admit it, so I could look at her.
    Have you felt the allure of the exotic yourself, Randy? All right, you don’t have to answer that. Just give me some more of your Scotch. Sure you don’t want some yourself? Anyway, where was I? Yes, Nandini. Nandini was simply so unlike Katharine, I could have been dallying with another species. She wore little sleeveless blouses that revealed a generous amount of cleavage whenever that front fold of her sari slipped, which it did often enough, whenever she turned, or bent to pick up something, or moved in a dozen different ways. And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten.
    And she was attracted to me, too. I could see that. In her smile, in her way of talking, in her eyes when she looked at me. It was not just that she was trying to ingratiate herself with her boss. The signals she sent me were quite clear.
    It still took me some time to read them. But one day, late one evening, in my office, when everyone else had gone, it just happened, as these things do.
    She was on my side of the desk, standing next to me as she looked over my shoulder at a document I wanted her to retype. As I explained my revisions to her, she looked at the document and took quick notes on her steno pad. Then at one point, she dropped her pencil accidentally, right into my lap. Instinctively, she reached down to pick it up.
    My hand closed on hers, keeping it in my lap.
    â€œI like it there,” I said.
    Don’t worry, I’m not drunk. I can handle this stuff. I even used to live on Indian Scotch, if that isn’t a contradiction in terms. “Indian-made foreign liquor,” they used to call it. Would you believe it! “Indianmade foreign liquor.” But it was better than the fake Scotch the bootleggers peddled at four times the price. There was more Johnnie Walker Black Label sold in India than was ever manufactured in Scotland, I can tell you that. Go ahead, pour away.
    It’s good I can hardly see your face in this light, Randy. I don’t have any excuse for myself, and at the time I wasn’t really looking for any. I wanted her, it was as simple as that. And at a time when I wasn’t able to have much else I wanted, Nandini came as a source of pure, unqualified satisfaction.
    When she moved her hand, it was not to extricate herself but to burrow her fingers deeper into my lap. “I like it there, too,” she said.
    And then she was kneeling by my side and I could smell the fragrance of the attar of roses, I could sense the pressure of those