Reflections

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Authors: Diana Wynne Jones
you are still in doubt that it will. Each of the Fellowship of the Ring says exactly what his intentions are, and yet you do not believe they will do as they say. Each time I read it, I am still pained and shocked when the Fellowship divides later on. I am still in doubt that the Ring will be destroyed, or what good it would do if it was. It seems to me to need some explaining how Tolkien got away with it.
    The main answer, I think, is the depth and variety of the history he invokes in the course of this movement. I suppose it is a commonplace that he took over the idea of the inset histories and legends from the Anglo-Saxon poem Beowulf , in which each inset vaguely echoes the action in the poem’s present and each is progressively more doom laden, but I am not sure if it is realized how thoroughly Tolkien adapted the notion to his own purposes. Beowulf uses the things purely for atmosphere. Tolkien uses his histories that way too, but only secondarily. His primary use for history is as a motive power, pushing his present-day characters into certain actions, to bring about the future. He presents us with triple measure: Elven history, mostly as hints and songs, immeasurably old and indicating the Elves are a dying race; that of men and Dwarves, both of whom have more than once flourished heroically and then been decimated by the power of Sauron; and Hobbits, who have existence rather than history. All (except for the Hobbits) are united by owning rings of power and are united again in their opposition to the One Ring. Thanks to the Elves, there is a huge time span here, showing a continuous falling off. Elrond says, “I have seen three ages in the west of the world, and many defeats, and many fruitless victories” (I, 256). The effect of this, on top of the first movement’s suggestion that only ordinary folk are left to cope, is to present the Fellowship, once formed, as a thread-thin company. It is as narrow in numbers and space as the present moment is in time. Against the past weight of failure, its only hope seems to be to hang together.
    If this picks up and amplifies the earlier suggestions in the Shire that the present is small and ordinary, so does the nature of the Quest, now properly revealed. It is to be a negative one, a raid to destroy the enemy’s inmost defenses. It can only be made by beings so insignificant that the chances of success are minimal. It is destructive. It does not suggest renewal. Or does it? I have heard The Lord of the Rings stigmatized as simply a goodies v. baddies story. Insofar as this is true, it is of course a very modern story. Romances, fairy tales, and even Beowulf do not have baddies the way we do, the way Sauron is. But it is more original than it is modern, now that Tolkien has shown his hand, because it is really about people in time. It concerns the present, fully conscious of the past, injured by it, in fact, pressing forward to make the unformed future. And of course the present is very small compared with both; mere instants. Tolkien makes the outcome dubious, if not equivocal, by having his Fellowship set off in winter—a time of ill omen, of traditional heroism, and of hope too, since spring is to follow—and then by cunningly organizing his narrative in its later stages, so that the issue is continually in doubt, just as the future always is.
    The coda to this movement is, very characteristically, the start of the journey. Through more of Tolkien’s meticulously visualized country, the Fellowship sets out. There is a strong sense that this is the nitty-gritty, the real stuff, because the landscape is now harsh and strange and because the proper Quest has been determined. In fact, not insignificantly, this is only partly true. This section serves mainly to lead into the next movement, which is a double one, bringing us hard up against endurance of two kinds.
    First comes the achievement of the Dwarves, heralded by the entry into Moria. The

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