Rabbit is rich
let's say nine total monthly expenses variable and invariable that leaves four net profit and deduct another thousand from that for inflation and pilferage and the unpredictable that's always there you still have three, fifteen hundred for Ma Springer and fifteen hundred for Janice and him plus the two thousand salary when his poor dead dad used to go off to the print shop at quarter after seven every morning for forty dollars a week and that wasn't considered bad money then. Harry wonders what his father would think if he could only see him now, rich.

    His 1978 Luxury Edition liftback five-door Corona is parked in its space. Called Red Metallic, it is a color more toward brown, like tired tomato soup. If the Japanese have a weakness it is their color sense: their Copper Metallic to Harry's eyes is a creosote brown, the Mint Green Metallic something like what he imagines cyanide to be, and what they called Beige a plain lemon yellow. In the war there used to be all these cartoons showing the Japanese wearing thick glasses and he wonders if it can be true, they don't see too well, all their colors falling in between the stripes of the rainbow. Still, his Corona is a snug machine. Solid big-car feel, padded tilt steering wheel, lumbar support lever for adjustable driver comfort, factory-installed AM/FM/MPX four-speaker radio. The radio is what he enjoys, gliding through Brewer with the windows up and locked and the power-boosted ventilation flowing through and the four corners of the car dinging out disco music as from the four corners of the mind's ballroom. Peppy and gentle, the music reminds Rabbit of the music played on radios when he was in high school, "How High the Moon" with the clarinet breaking away, the licorice stick they used to call it, "Puttin' on the Ritz": city music, not like that country music of the Sixties that tried to take us back and make us better than we are. Black girls with tinny chiming voices chant nonsense words above a throbbing electrified beat and he likes that, the thought of those black girls out of Detroit probably, their boyfriends goofing off on the assembly line, in shimmery tinsel dresses throbbing one color after another as the disco lights spin. He and Janice ought to visit at least the place down Route 111 D I S C O he noticed today for the hundredth time, never dared go in. In his mind he tries to put Janice and the colored girls and the spinning lights all together and they fly apart. He thinks of Skeeter. Ten years ago this small black man came and lived with him and Nelson for a crazy destructive time. Now Skeeter is dead, he learned just this April. Someone anonymous sent him, in a long stamped envelope such as anybody can buy at the post office, addressed in neat block ballpoint printing such as an accountant or a schoolteacher might use, a clipping in the familiar type of the Brewer Vat, where Harry had been a Linotyper until Linotypmg became obsolete:

    FORMER RESIDENT
    SLAIN IN PHILLY

    Hubert Johnson, formerly of Brewer, died of gunshot wounds in General Municipal Hospital, Philadelphia, after an alleged shoot-out with police officers.

    Johnson was purported to have fired the first shots without provocation upon officers investigating reported violations of sanitation and housing laws in a religious commune supposedly headed by Johnson, whose Messiah Now Freedom Family included a number of black families and young persons.

    Numerous complaints had been occasioned among neighbors by their late singing and abrasive behavior. The Messiah Now Freedom Family was located on Columbia Avenue.

    Johnson Wanted

    Johnson, last of Plum Street, city, was remembered locally as "Skeeter" and also went under the name of Farasworth. He was wanted here under several complaints, local officials confirmed.

    Philadelphia police lieutenant Roman Surpitski informed reporters that he and his men had no choice but to return fire upon Johnson. Fortunately, no officers and no other "commune"

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