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are forbidden. Everything is forbidden now. The only way we know what’s permitted is if we do something and manage to stay out of prison.
     
    ‘Now I know you are recently returned from the front. And you notice I don’t ask what it’s like out there. In the East. Just seeing a compass these days makes me feel sick. I don’t ask because I don’t want to know. You might even say this is why I went into the hotel business: because the outside world is of no concern to me. The guests in this hotel are my world and that’s all the world I need to know. Their happiness and satisfaction is all that I care about.
     
    ‘So, for Mr Dickson’s happiness and satisfaction I ask thatyou meet with him. But not here in the hotel. No, not here. It’s hardly safe to talk in the Adlon. There are several suites of rooms on the top floor that have been taken over by people from the Foreign Office. And these people are guarded by German soldiers wearing steel helmets. Can you imagine it. Soldiers, here in the Adlon. Intolerable. It’s just like 1919 all over again but without the barricades.’
     
    ‘What are workers from the Foreign Office doing here that they can’t do in the Ministry?’
     
    ‘Some of them are destined for the new Foreign Travel Office, when it’s finished. But the rest are typing. Morning, noon and night, they’re typing. Like it’s for a speech by the Mahatma.’
     
    ‘What are they typing?’
     
    ‘They’re typing up releases for the American press, most of whom are also staying here. Which means that there are Gestapo in the bar. Possibly there are even secret microphones. I don’t know for sure, but this is what I heard. Which is another source of grief for us.’
     
    ‘This Dickson fellow. Is he in the hotel right now?’
     
    Willy thought for a moment. ‘I think so.’
     
    ‘Don’t mention my name. Just tell him that if he’s interested in a bit of “Life Poetry and Truth”, I’ll be beside the Goethe statue in the Tiergarten.’
     
    ‘I know it. Just off Herman Göring Strasse.’
     
    ‘I’ll wait fifteen minutes for him. And if he comes he should come alone. No friends. Just him and me and Goethe. I don’t want any witnesses when I speak to him. These days there are plenty of Amis who work for the Gestapo. And I’m not sure about Goethe.’
     
    I hoisted the bread bag onto my back and walked out of the Adlon onto Pariser Platz, where it was already gettingdark. One of the only good things about the blackout was that you couldn’t see the Nazi flags, but the brutal outlines of Speer’s partly constructed Foreign Travel Office were still visible in the distance against the purpling night sky, dominating the landscape west of the Brandenburg Gate. Rumour had it that Hitler’s favourite architect, Albert Speer, was using Russian POWs to help complete a building that no one other than Hitler seemed to want. Rumour also had it that there was a new network of tunnels under construction connecting government buildings on Wilhelmstrasse with secret bunkers that extended under Herman Göring Strasse as far as the Tiergarten. It was never good to pay too much attention to rumours in Berlin for the simple reason that these were usually true.
     
    I stood by the statue of Goethe and waited. After a while I heard a 109 quite low in the sky as it headed south-east toward the airfield at Tempelhof; and then another. For anyone who’d been in Russia, it was an instantly recognizable and reassuring sound, like an enormous but friendly lion yawning in an empty cave and quite different from the noise of the much slower RAF Whitleys that occasionally ploughed through Berlin skies like tractors of death and destruction.
     
    ‘Good evening,’ said the man walking toward me. ‘I’m Paul Dickson. The American from the Adlon.’
     
    He hardly needed the introduction. His Old Spice and Virginia tobacco came ahead of him like a motorcycle outrider with a pennant on his mudguard. Solid