place in my environment, giving no sign that I had particularly noticed them or particularly cared, and continued
randori
with the partner I happened to be training with, a stocky kid with a visiting college team who I hadn’t yet let score against me.
My play had reached a level at which for the most part I was able to anticipate an opponent’s attack in the instant before he launched it, subtly adjust my position accordingly, and frustrate his plan without his knowing exactly why he’d been unable to execute. After a while of this invisible interference, often an opponent would try to force an opening, or muscle a throw, or would otherwise over-commit himself, at which point, depending on my mood, I might throw him. Other times, I was content merely to flow from counter to counter, preventing battles rather than fighting them. A different approach than what had characterized my younger days at the Kodokan, when my style had more to do with aggression and bravado than it did with elegance and efficiency. As the offspring of a Japanese father and Caucasian American mother, I once wore a heavy chip on my shoulder. My appearance was always Japanese enough, but appearances have almost nothing to do with prejudice in Japan. In fact, the society’s worst animus is reserved for ethnic Koreans, and
burakumin
—descendents of leather workers—and those others guilty of hiding their impurities behind seemingly Japanese faces. Of course, my formative years are long behind me now. These days, with my dark hair increasingly shot through with gray, I no longer pine for a country that might welcome me as its own. It took time, but I’ve learned not to engage in those conflicts I’ve always lost before.
From their size, close-cropped hair, and Oakley wrap-around shades, favored these days by Special Forces and their private sector counterparts, I made the visitors as military, maybe serving, maybe ex. That in itself was unremarkable: the Kodokan is hardly unknown among the American soldiers, Marines, and airmen stationed in Japan. Plenty of them come to visit, and even to train. Still, I prefer to assume the worst, especially when the assumption costs me little. I let the college kid throw me with
tai-otoshi
, the throw he’d been trying for all night and obviously his money move. In my former line of work, being underestimated was something to cultivate. I might have been out of the life, but I wasn’t out of the habit.
I was careful when I left that night, my alertness at a higher than usual pitch. I checked the places I would set up if I’d been trying to get to me: behind the concrete pillars flanking the building’s entrance on Hakusan-dori; the parked cars along the busy, eight-lane street; the entrance to the Mita-sen subway line to my left. I saw only oblivious
sarariman
commuters, their interchangeable dark suits limp and rumpled from the diesel-laced humidity, their brows beaded with sweat but their expressions relieved at the prospect of a few undemanding hours at home before the next day’s corporate exertions. Several riders on motor scooters went by, the two-stroke engines of their machines whining in and then fading out as they passed, but they weren’t wearing the full-face helmets favored by motorcycle drive-by gunners and they never even slowed or looked at me. A woman rode a bicycle past me on the sidewalk, a chubby-cheeked toddler secured in a basket attached to the handlebars, his arms outstretched and his tiny hands balled into fists at what I didn’t know. No one felt out of place, and I saw no sign of the soldiers. If they didn’t show up again, I’d classify their one-night presence as a nonevent.
But they did show up again, the following night. And this time, they stayed only briefly, probably just long enough to scan through the scores of
judoka
and confirm the presence of their target. If I hadn’t been doing my own frequent, unobtrusive scans of the spectator seats, I would have missed their