resigning myself to even more therapy, and possibly another sleep study at SymboGen. I could deal with that. If Nathan was worried, I’d be a fool not to be.
When I pulled away, Nathan smiled. “Love you.”
“I love you, too,” I said. “And I’ll talk to SymboGen. I just won’t be happy about it.”
“If you were,
I’d
start worrying about your sanity.”
“I don’t trust Dr. Morrison.”
“You shouldn’t,” Nathan said, with a wry smile. “He works for SymboGen.”
I laughed, and then the food arrived, and we had better things to talk about.
Nathan didn’t ask me anything else important until the waitress came back to pick up the check. Then he asked, “You sleeping over tonight?”
There was only one good answer to that question. So I smiled back, and said, “I was just waiting for you to ask.”
Nathan’s apartment was in a gated complex near the Ferry Building. He had almost a quarter of the ninth floor, complete with a balcony on the wall that faced the Bay. He had it decorated in what he assured me was an utterly forgettable mishmash of Ikea and bachelor pad chic. It didn’t look like either the sleekly sterile halls of the hospital or like Sally Mitchell’s room, haunted by the ghost of a girl I didn’t remember being, and so I loved it.
But I loved him more. We were barely inside before I grabbed his hand and pulled him toward the bedroom, where the big black bed was waiting for us. Nathan went willingly. I’d been the one to first take our relationship sexual; he was always trying to go slowly, trying to let me be sure of what I wanted.
This
was what I wanted. This room, this place, this time, and a man who’d never met Sally Mitchell, but who loved me for me.
By the time we fell asleep, tangled in the sheets and in each other, it felt like things would be better. And I dreamt…
When I listened to books about dream imagery—which I did more than I was willing to admit, because I wanted to understand my dreams as much as Nathan did, if only because I was worried about Sally rising from below and fracturing my fragile psyche with her own, older memories—they always seemed to focus on things happening to bodies. Bodies flying. Bodies getting older, or losing teeth, or being seen in public without their clothes on. Bodies everywhere, doing
things
.
I never dreamt about bodies.
Instead, I dreamt about the dark—the hot warm dark, which was always those three distinct things. It was hot the way a summer night was hot, when the air trapped moisture like a sponge, even in San Francisco, all humidity and untaken breaths. It was warm the way Nathan’s arms were warm, comfortable and close and safe, and the two states weren’t antithetical at all. They were two parts of the same whole. When I dreamt, it was absolutely natural that hotness and warmth would be different things, capable of existing simultaneously. It was only when I was awake that it seemed like a contradiction. And the dark…
The dark wasn’t like the dark in the apartment when the lights were off, or the dark in the street when the sun went down. It wasn’t even like the dark inside my eyelids, although that came closer than anything else did. The dark
was
. It was entire and eternal, without question, and it didn’t need to be anything else, because there was nothing else that the dark could possibly be. It was just the dark, the hot warm dark, and it was perfect. I didn’t need anything but the hot warm dark, and the feeling of the world’s arms closed around me.
That night was one of the good dreaming nights, where it was just me and the hot warm dark, and part of me was still dimly aware of the apartment where my body lay sleeping in its own cocoon of hot warm dark, the space created where my skin pressed against Nathan’s. We encompassed a world between us. Anything outside that world wasn’t worth worrying about.
Somewhere across the Bay, a boat horn blew a long, mournful note. Everything else was