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“Our savior.” Jackson had squirmed inwardly, he didn’t really know how to deal with thespian types, they made him feel staid and grown-up. Julia was standing in the background (for once) and acknowledged his discomfort by winking at him in a way that might have been salacious, but he couldn’t really tell because he had recently (finally) admitted to himself that he needed spectacles. The beginning of the end, downhill from now on.
    The actors were a small ad hoc group based in London, and Jackson had stepped in when at the eleventh hour they lost their funding to bring their play to the Edinburgh Fringe. Not out of any love of theater but because Julia had wheedled and cajoled in her usual over-the-top fashion, which was unnecessary—all she had needed to do was ask. It was the first real acting job she’d had in a while, and he had begun to wonder to himself (never to her, God forbid) why she called herself an actress when she hardly ever acted . When she thought she was about to lose this part at the last moment because of the lack of money, she had been plunged into a profound gloom that was so uncharacteristic of her that Jackson felt impelled to cheer her up.
    The play, Looking for the Equator in Greenland , was Czech (or maybe Slovakian, Jackson hadn’t really been listening), an existentialist, abstract, impenetrable thing that was about neither the equator nor Greenland (nor indeed about looking for anything). Julia had brought the script over to France and asked him to read it, watching him while he did so, saying, “What do you think?” every ten minutes or so as if he knew anything at all about theater. Which he didn’t. “Seems . . . fine,” he said helplessly.
    “So you think I should take the job?”
    “God, yes,” he said a little too promptly. In retrospect, he realized there was no question of her not taking the job and wondered if she’d known from the beginning that funding was going to be a nightmare and had wanted him to feel involved with the play in some way. She wasn’t a manipulative person, quite the opposite, but sometimes she had a way of looking ahead that surprised him. “And if we’re successful you’ll get your money back,” she said cheerfully when he offered. “And you never know—you might make a profit.” In your dreams , Jackson thought, but he didn’t say that.
    “Our angel,”Tobias, the director, had called him last night, embracing him in a queeny hug. Tobias was more camp than a Scout jamboree. Jackson had nothing against gays, he just wished that sometimes they wouldn’t be quite so gay , especially when being introduced to him in what had turned out, unfortunately, to be a good old-fashioned macho Scottish pub. Their “savior,” their “angel”—so much religious language from people who weren’t in any way religious. Jackson knew himself to be neither a savior nor an angel. He was just a guy. A guy who had more money than they did.
    J ulia spotted him and waved him over. She looked flushed and her left eyelid was twitching, usually a sign she was wound too tightly. Her lipstick had almost worn off and her body was camouflaged by the sackcloth-and-ashes costume so that she didn’t really look like Julia at all. Jackson guessed that the morning hadn’t gone well. Nonetheless she gave him a big, smiley hug (say what you like about Julia, she was a real trouper), and he wrapped his arms round her and heard her breathing, wet and shallow. The “venue” where they had their makeshift theater was below ground level in the underbelly of a centuries-old building that was a warren of damp stone passages scuttling off in all directions, and he wondered if Julia could survive down here without dying of consumption.
    “No lunch, then?” he said.
    She shook her head. “We haven’t even finished teching properly. We’re going to have to work through lunch. How was your morning?”
    “I took a walk,” Jackson said, “went to a museum and the Camera