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not return. In this way, although he will not hear me, he is still there when I go, and here when I come back.
    Yet if this is unbelievable, I tried something more down-to-earth. One cold afternoon I spoke; I approached the man and said in French that I had not seen a boomerang thrown “since” thirty years. He answered. He had been throwing them that long and longer, he said. I asked if he had hunted with them. He looked me up and down, his eyebrows raised, his forehead wrinkled. He had not, he said. And were these the same old boomerangs he had always used? Only this one, he said, raising the one in his hand. Speaking for all of us, I asked if his aim was accurate, though not having the French noun for “aim” (which proves to be but ), I asked if, when he threw ( lancé ) he was toujours exact . In English, then, he said, “American?” We smiled briefly; we nodded. “You jog,” he said slowly, “I throw boomerangs.”
    “I used to throw a boomerang as a child,” I said in French.
    He was looking downrange, shaking the boomerang in his hand downward at arm’s length, first one big shake, then a series of diminishing shakes. “Moi aussi,” I heard him say.
    Like a knife-thrower pointing at his target, he launched his toy. Like a passerby, I continued on my way.

MISTER X
     
    The rider coming off the North River bike path, at risk even at two in the morning cutting across the highway and into an old side street, must have been recognized. That was what he later believed summoning from memory the figure who had emerged almost from nowhere, a warehouse doorway, into the rain just as he could feel his rear tire go. Across slick cobblestones a man was making his way toward him as he bent to look down at his wheel, forgetting his back and straightening up in some pain. He’s in no doubt he can defend himself but the man’s slight but curious limp is a challenge, not some panhandling drifter but on home ground, street lamp out, steam escaping a manhole cover twenty yards down the block. It was late. A car speeding north along the highway flashed shadows, and then a car southbound. “You don’t want to ride on the rim,” the man said. He was younger. Behind him a crack of light where a warehouse door was propped open. “The bad news is I can’t get to it till morning.”
    Each man wearing a camouflage jacket, trimmed beard, glasses, sneakers—some fool thing shared between them, you almost felt. “Street fails you, cut through the house,” said the younger man, leading the way. No joke exactly, it sounded like some tactic of the war encroaching that you might have to use yourself. “I’ve got a flight in the morning,” said the other wheeling his bike. What was he getting into? “You’ll make your flight.” “It’s a long one.” “Sleep on the plane.” The younger man stole a look at him.
    “I missed my turn but I know this street,” said the bicyclist. “You don’t miss much, eh?” said the other.
    Through a nomad’s door they left the street now for a space of overhead floodlights like a new outside or a shoot. Areas of dim dimension reached through to the back of the building and seemingly beyond it southward. Orange peel somewhere, paint thinner, the insidious metal burn of welding earlier in the day in a plan not yet realized, a loose rot of garbage needing to go out, warm scent of sawn lumber, pipe tobacco and sweat close as a thought, all building the flow here, the host muttering some welcome—what did he say?—deciding if he wanted you here setting foot in the place, but he did.
    An alcove in progress of raw sheet rock framed up. Computer video units, old, facing off at a distance. Sander disks. Filled poly-prop bags like logs wound for strength in a spiral form. Manuals stacked, working drawings spread out, a convection heater on a yellow extension cord running under a swivel chair, reappearing near a futon, a brick wall half demolished taped to it a photograph of Bonaparte on