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Nice Girl With 5 Husbands by Fritz Leiber [ss]

    TO BE given paid-up leisure and find yourself unable to create is unpleasant for any artist. To be stranded in a cluster of desert cabins with a dozen lonely people in the same predicament only makes it worse. So Tom Dorset was understandably irked with himself and the Tosker-Brown Vacation Fellowships as he climbed with the sun into the valley of red stones.
    He accepted the chafing of his camera strap against his shoulder as the nagging of conscience. He agreed with the disparaging hisses of the grains of sand rutched by his sneakers, and he wished that the occasional breezes, which faintly echoed the same criticisms, could blow him into a friendlier, less jealous age.
    He had no way of knowing that just as there are winds that blow through space, so there are winds that blow through time. Such winds may be strong or weak. The strong ones are rare and seldom blow for short distances, or more of us would know about them. What they pick up is almost always whirled far into the future or past.
    This has happened to people. There was Ambrose Bierce, who walked out of America and existence, and there are thousands of others who have disappeared without a trace, though many of these may not have been caught up by time tornadoes and I do not know if a time gale blew across the deck of the Marie Celeste.
    Sometimes a time wind is playful, snatching up an object, sporting with it for a season and then returning it unharmed to its original place. Sometimes we may be blown about by whimsical time winds without realizing it. Memory, for example, is a tiny time breeze, so weak that it can ripple only the mind.
    A very few time winds are like the monsoon, blowing at fixed intervals, first in one direction, then the other. Such a time wind blows near a balancing rock in a valley of red stones in the American South-west. Every morning at ten o'clock, it blows a hundred years into the future; every afternoon at two, it blows a hundred years into the past.
    Quite a number of people have unwittingly seen time winds in operation. There are misty spots on the sea's horizon and wavery patches over desert sands. There are mirages and will o' the wisps and ice blinks. And there are dust devils, such as Tom Dorset walked into near the balancing rock.
    It seemed to him no more than a spiteful up-gust of sand, against which he closed his eyes until the warm granules stopped peppering the lids. He opened them to see the balancing rock had silently fallen and lay a quarter buried — no, that couldn't be, he told himself instantly. He had been preoccupied; he must have passed the balancing rock and held its image in his mind.
    DESPITE this rationalization he was quite shaken. The strap of his camera slipped slowly down his arm without his feeling it. And just then there stepped around the giant bobbin of the rock an extraordinarily pretty girl with hair the same pinkish copper color.
    She was barefoot and wearing a pale blue playsuit rather like a Grecian tunic. But most important, as she stood there toeing his rough shadow in the sand, there was a complete naturalness about her, an absence of sharp edges, as if her personality had weathered without aging, just as the valley seemed to have taken another step toward eternity in the space of an instant.
    She must have assumed something of the same gentleness in him, for her faint surprise faded and she asked him, as easily as if he were a friend of five years standing, "Tell now, do you think a woman can love just one man? All her life? And a man just one woman?"
    Tom Dorset made a dazed sound.
    His mind searched wildly.
    "I do," she said, looking at him as calmly as at a mountain. "I think a man and woman can be each other's world, like Tristan and Isolde or Frederic and Catherine. Those old authors were wise. I don't see why on earth a girl has to spread her love around, no matter how enriching the experiences may be."
    "You know, I agree with you," Tom