voice with a subtle urgency which had its effect. The flush on Miss Dawsonâs cheek grew deeper. She said nothing, and she did not look at him. Nobody spoke again until the car turned west from Astor Place.
âIâll let you out at the corner,â said Miss Dawson, then; âThose cobbles wreck my tires.â She added: âI suppose I canât go in with you, Aunt Robbie? Iâm dying to see Miss Smith.â
âNo, dear, you cannot.â
Miss Dawson drew up at the curb, and Gamadge got out. He helped Miss Vauregard to descend, and then, at Claraâs request, transferred the chow to the front seat. Clara said, âI shouldnât be surprised if she turned out to be a refugee, after all.â
âVery charitable of you,â replied her aunt dryly. âBut Miss Smith might have communicated with the family when she discovered that your great-uncleâs wits were going, and that he took her for a historical character.â
âIf she had, sheâd have lost her meal ticket. I donât believe you realize how a refugee must feel, Aunt Robbie.â
âPerhaps I donât, dear.â
âShall I wait here for you?â
âCertainly not. Go home and get out of those hot things.â
âI promised to pick Cameron up and take him for a turn before dinner.â
âGo along then.â
Clara turned the car, and Gamadge walked beside Miss Vauregard down the narrow, tree-shaded street. Grass and bushes showed at the end of it, through the iron railings of the little park. Late afternoon sunlight turned the old bricks under their feet to a deep rose color, and cast a friendly glow on the brownstone walk-ups on the left, and the high windowless walls on the right. But for a distant view of towers rising into the sky, it might have been a street in any little European town.
Gamadge paused in front of a wide gateway in a brick wall, surmounted by an arch and an old lantern.
âGates hospitably wide,â he said. âThis must be a quiet, law-abiding backwater.â
âIt is. Uncle has never had any trouble with intruders.â
âUntil now.â He stood surveying the brick-paved driveway, the side of the old three-storied house, the glimpse of garden beyond. A hint of white ironwork showed through vines in the distance. âThe famous arbor; candid little place. I see that the windows on either side of the kitchen door are high.â
âYes; you canât see out of them without standing on something.â
âAnd these nearer windows are well curtained.â
âThatâs the dining room.â
He followed Miss Vauregard past the high brick wall, and along the house front to the pillared portico. Miss Vauregard pulled a shining brass handle, and produced a soft, faraway jingle. A pale old man in a striped waistcoat opened the door and smiled at her.
âWell, John; how is Uncle?â
âQuite well, thank you, Madam. He is waiting for you in the library.â
âDonât come up.â She stepped past him into a white-paneled hall, Gamadge following.
âThank you, Madam.â He closed the front door, and stood with his hand on the knob of it, regarding her in a melancholy, questioning way.
âHow is Miss Smith?â she asked brightly.
âMuch better, Madam. If you have time, Eliza would like to speak to you before you go.â
âIâm always delighted to see Eliza.â
âWe are a little worried about Mr. Vauregard, Madam.â
âOh dear. Why?â
âHe seems a little restless and nervous; I donât think he is sleeping very well.â
âHe isnât used to guests in the house, you know, John.â
âNo, Madam.â His look said, âNeither are we.â
Gamadge followed Miss Vauregard up the shallow stairs with their delicate white rail, along a wide hallway, and into a large room which ran across the back of the house. High windows with summer