muscles around his eyes created a smile that gave out warmth. It had made him famous, also made him a megabucks star and she could see why; he exuded sensitivity and understanding and, being big and strong, gave the impression he could take care of any threatening dangers.
âShe wonât mind,â he said with a touch of malice, suggesting Ms. Edwards would mind very much.
The first lie, she thought. âWhere were you during the lunch break?â
âIn my trailer.â
âThe entire time?â
âMost of the time.â
âWhen you werenât in your trailer, where were you?â
With a thumb, he flicked the end of the cigarette to get rid of ashes. âUhâthe catererâs truck, wandering around to work the kinks out. UhâI donât know. Around.â
âHow well did you know Kay Bender?â
âNot at all.â
âShe worked on this movie.â
âYes, but we did noâsocializing.â
âDid you ever talk with her?â
âMaybe.â
âWhat did you talk about?â
He didnât have his mind on Susan or her questions, or even on his answers; he kept craning his head to flick glances at Parkhurst. Parkhurst made a lot of people nervous, especially if he was behind them just out of their range of vision, but Nick didnât seem nervous.
âYou know,â he said after a momentâs thought. âI donât believe I ever did talk with her.â
âTell me what you know about her.â
He puffed on the cigarette. âNothing. I didnât know anything about her.â There was surprise and sadness in his voice. âWho said no man is an island?â
âWho went into the barn during the lunch break?â
âOh, hell, I donât know. People might have been in and out. Theyâre always in and out.â
âYou?â
âNo.â
âWho wanted to hurt Kay?â
Nick again focused attention on Susan. âI thought the fall was an accident.â
Lie number two. Sheâd questioned too many suspects to miss the slight rise of shoulder muscles. âThatâs what weâre trying to determine. Who had problems with her?â
âNobody that I know of. You have to understand, I really had nothing to do with the girl. She did her work, doubling for Laura, and that was it. I mean, she must have been around, butââ He shrugged. âSorry. We have dividing lines here just like every place else.â
âWere you aware a pitchfork was on the set?â
âSure.â
âWhen did you last see it?â
âThis morning. I used it in one of those cutesy bits where city slicker male ineptly spreads around straw.â Engaging self-deprecating smile.
âWhat happened to it then?â
âI donât know, the prop man would take it.â
âAnd do what with it?â
âPut it in the prop truck, most likely.â
This was said with such offhand sincerity that Susan didnât know whether it was lie or truth.
She glanced at Parkhurst over Nickâs shoulder and gave him a nod. Letâs see how Nick Logan responded to Parkhurst. Moving fluidly, like one of the big cats, Parkhurst slid from the padded bench and came around where Nick could see him, then took a step closer, forcing Nick to look up at him.
âWhatâs the conflict between you and Laura Edwards?â
Nick stubbed out his cigarette. âConflict?â
âLove gone sour?â
Nick paused. âWhat does that have to do with Kay?â
âWhat do you know about her death?â
âNothing.â
âYou didnât find her attractive?â
Nick answered that with a look of âcome on, you can do better than that.â
âYou only interested in actresses?â
âWhat does that mean?â
âSheri Lloyd.â
âI see youâve been picking up the on-site gossip.â
âYouâre sleeping with Ms. Lloyd.