ambition was to cram the space with verbiage and leave no room for the sketch; that the lay-out man, a meek ass between two burdens, spent a miserable life trying to reconcile these opposing parties; and further, that all departments alike united in hatred of the client, who persisted in spoiling good lay-outs by cluttering them up with coupons, free-gift offers, lists of local agents and realistic portraits of hideous and uninteresting cartons, to the detriment of his own interests and the annoyance of everybody concerned.
He also learned to find his way without assistance over the two floors occupied by the agency, and even up on to the roof, where the messenger boys did their daily physical jerks under the eye of the Sergeant, and whence a fine view of London might be obtained on a clear day. He became acquainted with a number of the group-managers, and was sometimes even able to remember off-hand which clients' accounts were in the control of which manager, while with most of the members of his own department he found himself established on a footing of friendly intimacy. There were the two copy-chiefs, Mr. Armstrong and Mr. Hankin, each brilliant in his own way and each with his own personal fads. Mr. Hankin, for example, would never accept a headline containing the word “magnificent”; Mr. Armstrong disliked any lay-out which involved the picture of a judge or a Jew, and was rendered so acutely wretched when the proprietors of “Whifflets” put out a new brand of smoke called “Good Judge” Mixture that he was obliged to hand the whole account over, lock, stock and barrel to Mr. Hankin. Mr. Copley, an elderly, serious-minded man, who had entered the advertising profession before the modern craze set in for public-school-and-University-trained copy-writers, was remarkable for a tendency to dyspepsia and a perfectly miraculous knack of writing appetizing copy for tinned and packeted foodstuffs. Anything that came out of a tin or a packet was poison to him, and his diet consisted of under-cooked [Pg 34] beef-steak, fruit and whole-meal bread. The only copy he really enjoyed writing was that for Bunbury's Whole-Meal Flour, and he was perennially depressed when his careful eulogiums, packed with useful medical detail, were scrapped in favour of some light-headed foolishness of Ingleby's, on the story that Bunbury's Whole-Meal Flour took the Ache out of Baking. But on Sardines and Tinned Salmon he was unapproachable.
Ingleby specialized in snobbish copy about Twentyman's Teas (“preferred by Fashion's Favourites”), Whifflets (“in the Royal Enclosure at Ascot, in the Royal Yacht Club at Cowes, you find the discriminating men who smoke Whifflets”) and Farley's Footwear (“Whether it's a big shoot or a Hunt Ball, Farley puts you on a sound footing”). He lived in Bloomsbury, was communistic in a literary way, and dressed almost exclusively in pull-overs and grey flannels. He was completely and precociously disillusioned and one of the most promising copy-writers Pym's had ever fathered. When released from Whifflets and fashionable footwear, he could be amusing on almost any subject, and had a turn for “clever” copy, wherever cleverness was not out of place.
Miss Meteyard, with a somewhat similar mental make-up, could write about practically anything except women's goods, which were more competently dealt with by Mr. Willis or Mr. Garrett, the former of whom in particular, could handle corsets and face-cream with a peculiar plaintive charm which made him more than worth his salary. The copy department on the whole worked happily together, writing each other's headlines in a helpful spirit and invading each other's rooms at all hours of the day. The only two men with whom Bredon was unable to establish genial relations were Mr. Copley, who held aloof from everybody, and Mr. Willis, who treated him with a reserve for which he was unable to account. Otherwise he found the department a curiously friendly