now out in the second-floor hallway and I know it’s only a matter of time before he pushes the stairs up again and locks us in here. Momma hates it when he does this but I don’t mind it anymore. When he pushes the stairs up I know he won’t be bugging me and Emma. He used to do that all the time, but since we’re gonna be moving on and up I think he’s got other things to bug. Uh-oh. Momma’s calling us. Here’s the problem—if we call out
E I.l ZA B ET H FLOCK
and let her know we’re up here, then she’ll see that the stairs are up. If she sees the stairs are up, then she’ll know Richard was being mean to us. If she sees that Richard’s been mean to us then she’ll lay into him about it and then he’ll start laying into her and it won’t end up like Little House on the Prairie, let me tell you.
“We better not answer her,” Emma says, and I’m thinking that’s a fine idea.
“But then we’ll be stuck up here all day,” I say, and Emma just squinches her shoulders up and then lets them fall back down again and I know it’s settled, whether I like it or not.
I’m tiptoeing over to the stack of books near the fan, which we cain’t turn on since the noise will alert Momma and then it’s all downhill from there, and I’m leafing through this battered old book of stamps from around the world. Someone who lived here before us left it behind, but I don’t think they missed it since they died and that’s how we came to live here. Anyway, I love to look at the different stamps and picture living somewhere really beautiful. Even though I’m old enough to know better, I think the countries are the colors on their stamps. It’s weird in geography class hearing how Finland is such a dark place since its stamp is so bright and colorful.
Uh-oh. Momma’s under the pull-string staircase. I can hear her calling out. I look over at Emma but she’s fallen asleep reading again. Richard must’ve been at her last night. When she sleeps that way during the day I know what’s happened the night before.
There’s that creaking sound the springs make when the stairs are pulled down and I know the day’s not going to end up well for Momma.
“Caroline? You up there with Emma?”
I hurry to the top step so she won’t wake Emma.
46
47
ME & EMMA
“Emma’s asleep,” I hiss to her. “You need something?” I ask real nicely so she’ll forget that Richard’s locked us in again. Maybe then she won’t go near him.
I can tell by the way she eyes the fold-out stairs and by the way she sighs that she doesn’t have the energy to take up for us today, and I’m glad. Well, sort of glad.
“I need you in the kitchen,” she says. “I’ve got to go out for a little
while and you need to get everything ready for dinner.” “Where’re you going?” I ask. “Can I come?”
“It’s none of your business where I’m going and no you cannot,” she says all in one breath. “Now, come on and get moving.”
Usually when Momma calls to me and Emma both that means she’s in a good mood, but I guess that’s not true today. Here’s the reason why she only calls on me most times—she likes me better than Emma. We both know it and so does Momma. She’s even said it out loud. “I don’t care what Emma wants to do, I’m telling you I only want you to go,” she says when we go to someplace fun. Or she’ll ask me for favors, not Emma. This really hurts Emma, even though she doesn’t admit it, because when I do the favor for Momma she’s really nice to me in return. Emma wants to be able to have Momma be that grateful to her, but I don’t think that’s going to happen any time soon.
I think Momma doesn’t like Emma because she looks just like Daddy and Momma says some things are best forgotten.
Like the first time Richard called to me from his room. You cain’t make an angry voice into a pretty one, but that’s what Richard is trying to do, I thought to myself at that very moment. Why is he