excitement would enclose her. Now these blurs were burned away. On the brightening edge of the long June day that followed the third night they had ever spent together, Jerry and Sally made love lucidly, like Adam and Eve when the human world was of two halves purely. She watched his face, and involuntarily cried out, pierced by the discovery, ‘Jerry your eyes are so sad!’
The crooked teeth of his grin seemed Satanic. ‘How can they be sad when I’m so happy?’
‘They’re so sad, Jerry.’
‘You shouldn’t watch people’s eyes when they make love.’
‘I always do.’
‘Then I’ll close mine.’
Oh Sally, my lost only Sally, let me say now, now before we both forget, while the spark still glitters on the waterfall, that I loved you, that the sight of you shamed my eyes. You were a territory where I went on tip-toe to steal a magic mirror. You were a princess married to an ogre. I would go to meet you as a knight, to rescue you, and would become instead the dragon, and ravish you. You weighed me out in jewels, though ashes were what I could afford. Do you remember how, in our first room, on the second night, I gave you a bath and scrubbed your face and hands and long arms with the same methodical motions I used on my children? I was trying to tell you then. I was a father. Our love of children implies our loss of them. What a lazy lovely naked child you were, my mistress and momentary wife; your lids were lowered, your cheek rested on the steaming sheet of bathwater. Can I forget, forget though I live forever in Heaven among the chariots whose wheels are all eyes giving God the glory, how I saw you step from a tub, your body abruptly a waterfall? Like a man you tucked a towel about your woman’s hips, and had me enter the water your flesh had charmed to a silvery opacity. I became your child. With a drenched blinding cloth that searched out even the hollows of my ears, you, my mother, my slave, dissolved me in tender abrasions. I forgot, sank. And we dried each other’s beaded back, and went to the bed as if to sleep instantly, two obedient children dreaming in a low tent drumming with the excluded rain.
Jerry closed his eyes and it hurt her. She loved to watch love, to witness the nibbling, the mixing of ivory and fur, the solemn softening of the eyes. Was she corrupt? In Paris on her honeymoon with Richard, her shock at the mirrors in their room had subsided to a level interest.This was what people did; this was what they were. She was proud, a little, of having taught Jerry how simple it was. Somehow Ruth had not taught him that. But the sadness of his eyes had penetrated her and for the rest of the day that unfolded Sally was laid open to a vivid and frightening sense of her existence in other people’s eyes. The puffy-lidded news vendor in the perfumed lobby saw her as a spoiled young matron. The waitress who served them breakfast at the counter cheerfully took her for a fucked secretary. When Sally relinquished Jerry to a taxi and became alone, she felt herself reflected in every glance and glass entryway To the Japanese souvenir-store attendants she was big. To the Negro doorman she was white. To everybody she was nobody.
Who was she? What was this burden she carried within her, this ache that like an unborn child was so unquestionably worth bearing? Was she unique? That young black girl like a chocolate swan, that dowager in rouge and wool – was each of these also prey to a clawing love that could literally lift her into the sky? Sally could not believe so; yet she did not like to believe either that she was totally unique, eccentric, mad. She remembered her mother. When her father had died on that last trip, a quiet calm man finally too quiet in a room of the St Francis (there were no pills, no bottle, all the authorities had agreed), they had moved to Chicago, to be near her mother’s people, and her mother though a Catholic had taken not to religion or drink but to gambling. The strangest
Marina von Neumann Whitman