so
grinly
wicked?
I
do not ask you why
you have spurned,
despised my love
as something beneath you.
We all have our ways and
days
but my love has been as constant
as the rays
coming from the earth
or the sun,
which you have used to obliterate
me,
and, now, according to your purpose,
all mankind,
from the nigger, to you,
and to your childrenâs children.
I have endured your fire
and your whip,
your rope,
and the panic from your hip,
in many ways, false lover,
yet, my love:
you do not know
how desperately I hoped
that you would grow
not so much to love me
as to know
that what you do to me
you do to you.
No man can have a harlot
for a lover
nor stay in bed forever
with a lie.
He must rise up
and face the morning sky
and himself, in the mirror
of his loverâs eye.
You do not love me.
I see that.
You do not see me:
I am your black cat.
You forget
that I remember an Egypt
where I was worshipped
where I was loved
.
No one has ever worshipped you,
nor ever can: you think that love
is a territorial matter,
and racial,
oh, yes,
where I was worshipped
and you were hurling stones,
stones which you have hurled at me,
to kill me,
and, now,
you hurl at the earth,
our mother,
the toys which slaughtered
Cainâs brother.
What panic makes you
want to die?
How can you fail to look
into your loverâs eye?
Your black dancer
holds the answer:
your only hope
beyond the rope.
Of rope you fashioned,
usefully,
enough hangs from
your hanging tree
to carry you
where you sent me.
And, then, false lover,
you will know
what love has managed
here below.
Inventory/On Being 52
My progress report
concerning my journey to the palace of wisdom
is discouraging.
I lack certain indispensable aptitudes.
Furthermore, it appears
that I packed the wrong things.
I thought I packed what was necessary,
or what little I had:
but there is always something one overlooks,
something one was not told,
or did not hear.
Furthermore,
some time ago,
I seem to have made an error in judgment,
turned this way, instead of that,
and, now, I cannot radio my position.
(I am not sure that my radio is working.
No voice has answered me for a long time now.)
How long?
I do not know.
It may have been
that day, in Normanâs Gardens,
up-town, somewhere,
when I did not hear
someone trying to say: I love you.
I packed for the journey in great haste.
I have never had any time to spare.
I left behind me
all that I could not carry.
I seem to remember, now,
a green bauble, a worthless stone,
slimy with the rain.
My mother said that I should take it with me,
but I left it behind.
(The world is full of green stones, I said.)
Funny
that I should think of it now.
I never saw another one like it â:
now, that I think of it.
There was a red piece of altar-cloth,
which had belonged to my father,
but I was much too old for it,
and I left it behind.
There was a little brown ball,
belonging to a neighborâs little boy.
I still remember his face,
brown, like the ball, and shining like the sun,
the day he threw it to me
and I caught it
and turned my back, and dropped it,
and left it behind.
I was on my way.
Drums and trumpets called me.
My universe was thunder.
My eye was fixed
on the far place of the palace.
But, sometimes, my attention was distracted
by this one, or that one,
by a river, by the cry of a child,
the sound of chains,
of howling. Sometimes
the wings of great birds
flailed my nostrils,
veiled my face, sometimes,
from high places, rocks fell on me,
sometimes, I was distracted by my blood,
rushing over my palm,
fouling the lightning of my robe.
My fatherâs son
does not easily surrender.
My motherâs son
pressed on.
Then,
I began to imagine a strange thing:
the palace never came any closer.
I began, nervously, to check
my watch, my compass, the stars:
they all confirmed
that I was almost certainly where I should
Christopher Golden, Thomas E. Sniegoski