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two-hundred-fifty pounds of what had once been athletic but was now a frame running to fat and dissolution. He wore jeans, but was bare-chested with a headband securing his long black hair in place. His chest bore tattoos, some professionally done, but more of the prison spit-and-pencil variety. He was the sort of man police preferred to meet with gun in hand. He moved with the lazy arrogance that announced his willingness to depart from the rules.
    “Subject One is carrying a large, blue-steel revolver,” Leary told the rest of the team. Looks like an N-Frame Smith . . . “I, uh—Dennis, there's something odd about him . . .”
    “What is it?” Black asked immediately.
    “Mike's right,” Paulson said next, examining the face through his scope. There was a wildness to his eyes. “He's on something, Dennis, he's doped up. Call those newsies back!” But it was too late for that.
    Paulson kept the sight on Russell's head. Russell wasn't a person now. He was a subject, a target. The team was now acting under the Compromise Authority rule. At least the S-A-C had done that right. It meant that if something went badly wrong, the HRT was free to take whatever action its leader deemed appropriate. Further, Paulson's special Sniper Rules of Engagement were explicit. If the subject appeared to threaten any agent or civilian with deadly force, then his right index finger would apply four pounds, three ounces of pressure to the precision-set trigger of the rifle in his grasp.
    “Let's everybody be real cool, for Christ's sake,” the sniper breathed. His Unertl telescopic sight had crosshairs and stadia marks. Automatically Paulson reestimated the range, then settled down while his brain tried to keep track of the gusting wind. The sight reticle was locked on Russell's head, right on the ear, which made a fine point of aim.
    It was horridly comical to watch. The reporter smiling, moving the microphone back and forth. The burly cameraman aiming his minicam with its powerful single light running off the battery pack around the black man's waist. Russell was speaking forcefully, but neither Leary nor Paulson could hear a word he was saying against the wind. The look on his face was angry from the beginning, and did not improve. Soon his left hand balled into a fist, and his fingers started flexing around the grips of the revolver in his right. The wind buffeted the silk blouse close around the reporter's braless chest. Leary remembered that Russell had a reputation as a sexual athlete, supposedly on the brutal side. But there was a strange vacancy to his face. His expression went from emotionless to passionate in what had to be a chemically-induced whipsaw state that only added to the stress of being trapped by FBI agents. He calmed suddenly, but it wasn't a normal calm.
    That asshole S-A-C
    
    , Leary swore at himself. We ought to just back off and wait them out. The situation is stabilized. They're not going anywhere. We could negotiate by phone and just wait them out. . . .
    “Trouble!”
    Russell's free hand grabbed the reporter's upper right arm. She tried to draw back, but possessed only a fraction of the strength required to do so. The cameraman moved. One hand came off the Sony. He was a big, strong man, and might have pulled it off, but his move only provoked Russell. The subject's gun hand moved.
    “On target on target on target!” Paulson said urgently. Stop, you asshole, STOP NOW! He couldn't let the gun come up very far. His brain was racing, evaluating the situation. A large-frame Smith & Wesson, maybe a .44. It made big, bloody wounds. Maybe the subject was just punctuating his words, but Paulson didn't know or care what those words were. He was probably telling the black guy on the camera to stop; the gun seemed to be pointing more that way than at the girl, but the gun was still coming up and—
    The crack of the rifle stopped time like a photograph. Paulson's finger had moved, seemingly of its own accord, but