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week this beautiful courtesan, whom Valmorain had seen only in golden lamplight, bedecked in silk and taffeta, made up and perfumed, directed the squad of barefoot slaves wearing a coarse cloth dressing gown and a rag tied around her head. She seemed in her element, as if she had been doing this rough work all her life. Under her orders the sound floorboards were scrubbed clean and the rotten ones replaced; she changed the mosquito netting and the paper at the windows. She aired the rooms, set out poison for the mice, burned tobacco to drive out insects, sent the broken furniture to the alley of the slaves, and finally the house was clean and bare. Violette had everything painted white inside, and as there was whitewash left over, she used it on the domestic slaves' cabins, which were near the big house, then had purple bougainvillea planted around the gallery. Valmorain promised her that he would keep the house clean. He also set several slaves to laying out a garden inspired by Versailles, though the extreme climate did not lend itself to the geometric art of the landscapes of the French court. Violette returned to Le Cap with a list of purchases. "Don't spend too much, this house is temporary; as soon as I have a manager we will go to France," Valmorain told her, handing her an amount he felt was fair. She ignored his warning, because nothing pleased her as much as shopping.
    The bottomless treasure of the colony left from the port of Le Cap, and legal and contraband products came in. A many-colored throng rubbed elbows in the muddy streets, bargaining in many tongues amid carts, mules, horses, and packs of stray dogs that fed from the garbage. Everything from pirates' booty to extravagant Parisian items was sold there, and every day except Sunday slaves were auctioned off to supply demand: between twenty and thirty thousand a year just to keep the number stable, for they did not live very long. Violette spent her allowance but kept purchasing things on credit using the guarantee of Valmorain's name. Despite her youth, she made her selections with great aplomb; her worldly life had set and polished her taste. From the captain of a boat that sailed among the islands she ordered silver tableware, crystal, and a porcelain service for guests. The bride would bring sheets and tablecloths she had undoubtedly embroidered since childhood, so she did not worry about those. She bought furniture from France for the drawing room, a heavy American table with eighteen chairs destined to last generations, Dutch tapestries, lacquered screens, large Spanish chests for clothing, a surfeit of iron candelabra and oil lamps because she maintained that no one should live in the dark, Portuguese pottery for everyday use, a stream of frivolous embellishments, but no rugs because they would rot in the humidity. The comptoirs arranged to deliver and hand the bills to Valmorain. Soon carts laden to the top with boxes and baskets began to arrive at the Habitation Saint-Lazare. From the straw packing slaves extracted an interminable series of frills and furbelows: German clocks, birdcages, Chinese boxes, replicas of mutilated Roman statues, Venetian mirrors, engravings and paintings of various styles, chosen by theme, since Violette knew nothing of art, musical instruments that no one knew how to play, and even an incomprehensible collection of heavy glass and brass pipes and little wheels that, when put together by Valmorain like a jigsaw puzzle, turned out to be a telescope for spying on the slaves from the gallery. To Toulouse the furniture seemed ostentatious and the adornments totally useless, but he resigned himself because they could not be returned. Once the orgy of spending was concluded, Violette collected her commission and announced that he needed domestic servants: a good cook, maids for the house, and a lady's maid for Valmorain's future wife. That was the minimum required, according to Madame Delphine Pascal, who knew all the people of