fed. âItâs a lot better than having the bastards nibble at your toes during the night,â he says with a crazy laugh.
The nurse comes in and Garcia is getting real excited. âI think I pissed in my pants again,â he cries. âMrs. Waters, I think I pissed in my pants.â
âOh Garcia,â the pretty nurse scolds, âdonât say piss , say urine. Urine is much nicer.â
Garcia tells her he is sorry and will call it urine from here on out.
Willey is clicking his tongue again and the nurse goes over to see. âWhat do you want?â she says to Willey. He is the most wounded of us all. He has lost everything from the neck down. He has lost even more than me. He is just a head. The war has taken everything.
He clicks three times. The nurse knows he wants the stuff sucked out of his lungs, so she does it. Garciaâs radio is playing in the background. She slurps all of the stuff out, then walks out of the room. Now Briggs is getting the whiskey bottle out of his top drawer, taking big gulps and cursing out the rats that are still running under the radiator.
Someone please help me understand this thing, this terrible thing thatâs happening to me. Iâm a brave man and I want to be brave even with this wound. I want to understand how I can live with it and with everything else that happened over there, the dead corporal from Georgia and all the other crazy things.
I find a place on the side of the hospital where the old men sit. The grass is very green and they feed the birds from their wheelchairs. They are the old men from the First World War, I am sure of that, and I sit next to them and feed the birds too. I just want to slow down, the whole thing has been moving much too fast, like some wild spinning top, and now I am trying to catch my breath, I am trying to figure out what this whole terrible thing is about.
I read the paper every morning and it always says the war is going on and the president is sending more troops, and I still tell people, whoever asks me, that I believe in the war. Didnât I prove it by going back a second time? I look them all right in the eye and tell them that we are winning and the boysâ morale is high. But more and more what I tell them and what I am feeling are becoming two different things. I feel them tearing, tearing at my whole being, and I donât want to talk about the war anymore. I feed the birds and the squirrels. I want things to be simple again, things are just too confusing. The hospital is like the whole war all over again.
The aides, the big tall black guys who spit and sit on the toilet bowls all night, theyâre doing it again, theyâre picking up the paralyzed drunks from the hallways, theyâre wheeling them along the halls to the rooms. Now I see them strapping the men into big lifts, hoisting the drunken bodies back into their beds. And the aides are laughing, theyâre always laughing the way people laugh at a sideshow, itâs all pretty funny to them. We are like a show of puppets dancing on strings for them, dancing to maddening music. Theyâre wheeling all the guys in from the halls because itâs late and itâs time for all of the bodies to be put back into the beds, for all the tubes to be hooked up, and the drip of the piss bags to start all over again.
Thereâs a train in the Bronx, somewhere out over the Harlem River, and it sounds so good, it sounds warm and wonderful like the heater back home, like the Long Island train that I used to hear as a kid. Pat, the new guy, is crying for help. Heâs puking into the cup again and heâs cursing out everybody, heâs cursing the place and the nurses, the doctors. Heâs asking me if I still have my Bible and heâs laughing real loud now, heâs laughing so loud the other men are telling him to shut up, to be quiet and let them go to sleep. Itâs a madhouse, itâs a crazy house, itâs a wild
London Casey, Ana W. Fawkes