deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouac, and start proselytizing strangers in pubs.
The Knocknaree site was a huge field set on a shallow slope, down the side of a hill. It was stripped to bare earth, churned up by purposeful, indecipherable archaeological scribblings—trenches, giant anthills of soil, Portakabins, scattered fragments of rough stone wall like outlines for some lunatic maze—
that made it surreal, postnuclear. It was bordered on one side by a thick stand of trees, on another by a wall, tidy gables peeking over it, that ran from the trees to the road. Towards the top of the slope, near the wall, techs were clustered around something cordoned off by blue-and-white crime-scene tape. I probably knew every one of them, but the context translated them—white coveralls, busy gloved hands, nameless delicate instruments—into something alien and sinister and possibly CIA-related. The one or two identifiable objects looked picture-book solid and comforting: a low whitewashed cottage just off the road, with a black-and-white sheepdog stretched in front of it, paws twitching; a stone tower covered in ivy that rippled like water in the breeze. Light fluttered off the dark slice of a river cutting across one corner of the field.
runner heels dug into the earth of the bank, leaf-shadows dappling a red T-shirt, fishing-rods of branches and string, slapping at midges: Shut up! You’ll scare the fish!—
22
Tana French
This field was where the wood had been, twenty years ago. The strip of trees was what was left of it. I had lived in one of the houses beyond the wall.
I had not expected this. I don’t watch Irish news; it always morphs into a migraine blur of identical sociopath-eyed politicians mouthing meaningless white noise, like the gibber you get when you play a 33-rpm record at 45. I stick to foreign news, where distance gives enough simplification for the comforting illusion that there is some difference between the various players. I had known, by vague osmosis, that there was an archaeological site somewhere around Knocknaree and that there was some controversy about it, but I hadn’t picked up the details, or the exact location. I had not been expecting this.
I parked on the shoulder across the road from the Portakabin cluster, between the bureau van and a big black Merc—Cooper, the forensic pathologist. We got out of the car and I stopped to check my gun: clean, loaded, safety on. I wear a shoulder holster; anywhere more obvious feels gauche, a legal equivalent of flashing. Cassie says fuck gauche, when you are five foot five and young and female a little blatant authority isn’t a bad thing, and wears a belt. Often the discrepancy works for us: people don’t know who to worry about, the little girl with the gun or the big guy apparently without, and the distraction of deciding keeps them off balance. Cassie leaned against the car and dug her smokes out of her satchel.
“Want one?”
“No, thanks,” I said. I went over my harness, tightened the straps, made sure none of them were twisted. My fingers seemed thick and clumsy, detached from my body. I did not want Cassie to point out that, whoever this girl was and whenever she had been killed, it was unlikely that the murderer was skulking behind a Portakabin needing to be taken at gunpoint. She tipped her head back and blew smoke up into the branches overhead. It was your basic Irish summer day, irritatingly coy, all sun and skidding clouds and jackknifing breeze, ready at any second to make an effortless leap into bucketing rain or blazing sun or both.
“Come on,” I said. “Let’s get into character.” Cassie put out her smoke on the sole of her shoe and tucked the butt back into the packet, and we headed across the road.
A middle-aged guy in an unraveling sweater was hovering between the