London seemed to me a city of such appalling ugliness that I wanted only to leave it. Besides, I had no money, I could have got some by writing to my family, of course, hut it had to be the bootstraps or nothing.
The first place I stayed in was a flat off the Bayswater Road. I passed the house the other day, and it now seems quite unremarkable. This is how it struck me at the time:
‘A curving terrace. Decaying, unpainted, enormous, ponderous, graceless. When I stand and look up, the sheer weight of the building oppresses me. The door looks as if it could never be opened. The hall is painted a dead uniform cream, that looks damp. It has a carved chest in it that smells of mould. Everything smells damp. The stairs are wide, deep, oppressive. The carpets are thick and shabby. Walking on them is frightening – no sound at all. All the way up the centre of this immense, heavy house, the stairs climb, silent and ugly, flight after flight, and all the walls are the same dead, dark cream colour. At last another hostile and heavy door, I am in a highly varnished little hall, with wet mackintoshes and umbrellas. Another dark door. Inside, a great heavy room, full of damp shadow. The furniture is all heavy and dead, and the surfaces are damp. The flat has six rooms, all painted this heavy darkening cream, all large, with high ceilings, no sound anywhere, the walls are so thick. I feel suffocated. Out of the back windows, a vista of wet dark roofs and dingy chimneys. The sky is pale and cold and unfriendly.’
My arrangements for living here had been made with greatintelligence by a friend. The idea was, I should share this flat with another woman, an Australian, who had a small child. We should share the rent and expenses, and the children would share each other.
They took to each other at sight and went off to play.
The Australian lady and I had now to make acquaintance.
She was a woman of inveterate sensibility. Her name was Brenda. She was sitting in a huddled mass in a deep chair by an empty grate. She was a large woman, of firm swarthy flesh. She had a large sallow face, and black hair cut doll-like across her forehead. She wore artistic clothes. She had been crying, and was still damp. Almost the first thing she said was, ‘I do hope your child is sensitive. My Daphne is very sensitive. A highly-strung child.’ I knew then that the whole thing was doomed.
Daphne was three, a strapping, lively-eyed child with a healthy aggressiveness. Peter was two and a half. They were well-matched. They began to fight, with much enjoyment. Brenda went next door, pulled Daphne to her, and said in a weak voice: ‘Oh, darling, he’s such a nice little boy, don’t hit him.’ She set Daphne in a chair with a picture book.
Then she said everything was too much for her, and so I went out and bought the rations and had some keys cut. While I did this, I reflected on the value of helplessness. During the next weeks I reflected about this often. Brenda was renting the flat for seven guineas a week. I don’t know how she managed it. I’ve never since seen a flat of such size, class, and solid furnishing going at such a low rent. She had already let two rooms in it, at three and a half guineas each. That left four rooms. The largest room was her sitting-room, because she had to have privacy. The children had a room each, because Daphne could not sleep unless she was by herself. The largest room upstairs was Brenda’s bedroom. That left one for me. She had put the dining-room table in it, where we would all eat, as she said this would be more convenient for all of us. She intended to charge me seven guineas a week. I did all the shopping and the washing-up and the tidying, because life was too much for her, particularly in England. Also I had to keep my son away fromDaphne, because they would play together, and in the most insensitive manner.
I have often wondered about that remarkable phenomenon – that for sheer innate delicacy and