In Death 16 - Portrait in Death

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you see on campus year after year, but she was just a little brighter, just a bit more eager and appealing. God, this is horrible. Was it a mugging? A boyfriend?"
     
     
"Did she have a boyfriend?"
     
     
"I don't know. I really didn't know very much about her personal life. A young man picked her up after class once, I recall. She was often in a clutch of young people-she was the sort who was. But I did notice her with another boy on campus a couple of times-that struck me because they looked so striking together. The Young American Hope. Thank you, Rodney," she said as the droid set a tray with three glasses of frothy pink liquid on the table.
     
     
"Is there anything else, madam?"
     
     
"Yes, would you tell Ms. Brightstar I need her."
     
     
"Of course."
     
     
"Do you remember her mentioning anyone named Diego?"
     
     
"No. Honestly, we were not confidantes. She was a student, one I noticed particularly because of her looks and her vitality. But I don't know what she did outside of class."
     
     
"Professor, can you tell me what you did last night, after class?"
     
     
There was a hesitation, and a sigh. "I suppose that's the sort of thing you need to ask." She picked up her glass. "I came straight home, so I'd have gotten here about nine-twenty. Angie and I had a late supper, talked about work. I had no classes today, so we stayed up until nearly one. We listened to music, we made love, we went to sleep. We didn't get up this morning until after ten. Neither of us has been out today. It's so bloody hot, and she's working in the studio."
     
     
She shifted, held out a hand as Angela Brightstar came into the room. She wore a blue smock that fell to mid-calf and was a rainbow of paint splotches. Her hair was a curling mass, the color of port wine, and currently bundled on top of her hair and anchored with a trailing scarf.
     
     
Her face was delicate, fine-boned with a pink, doll-like mouth and vague gray eyes. Her body seemed very small and lost inside the baggy smock.
     
     
"Angie, one of my students was killed."
     
     
"Oh, sweetheart." Angie took her hand, and despite the paint splotches, sat beside her. "Who was it? How did it happen?"
     
     
"A young girl, I'm sure I mentioned her to you. Rachel Howard."
     
     
"I don't know. I'm so bad with names." She brought Leeanne's hand to her cheek, rubbed it there. "You're the police?" she asked Eve.
     
     
"Yes. Lieutenant Dallas."
     
     
"Now see, I know that name. I've been puzzling over it since Monty called up, but I can't put it in the right slot. Do you paint?"
     
     
"No. Ms. Brightstar, would you verify what time Professor Browning got home last night?"
     
     
"I'm not very good with time either. Nine-thirty?" she looked at Leeanne for confirmation. "Somewhere around there."
     
     
There was no motive here, Eve thought, no vibe-at least not yet. Curious, she opened her bag, selected one of the candid shots of Rachel.
     
     
"What do you think of this, Professor Browning?"
     
     
"It's Rachel."
     
     
"Oh, what a pretty girl," Angie said. "What a nice smile. So young and fresh."
     
     
"Could you give me your opinion on the image itself. Professionally."
     
     
"Oh." Leeanne took a deep breath, angled her head. "It's quite good, actually. An excellent use of light, and color. Nice angles. Clean and uncluttered. It shows the subject's youth and vitality, centers that so the eye is drawn, as Angie's was, to the smile, to how fresh she is. Is that what you mean?"
     
     
"Yes. Could you set up a shot like that without the subject being aware?"
     
     
"Of course, if you have good instincts." She lowered the image. "Did the killer take this?"
     
     
"Possibly."
     
     
"She was murdered?" Angie wrapped an arm around Leeanne. "Oh, this is awful. How could anyone hurt a young, sweet girl like that?"
     
     
"Sweet?" Eve echoed.
     
     
"Just look at her face-look at her eyes." Angie shook her head. "You can tell. You can look at her face and see

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