In Death 16 - Portrait in Death

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me."
     
     
He stepped back to let them exit the elevator. There was a kind of lobby, or entrance area with white marble floor tiles, glossy antiques topped with urns that were elegant with flowers.
     
     
There was a tall white statue of a nude woman, with her head tipped back and her hands in her hair as if she were washing it. There were artfully arranged flowers at her feet.
     
     
On the walls were framed images-photographic and multi-media. Additional nudes, Eve noticed, that were more romantic than erotic. Lights of filmy draper and diffused light.
     
     
He opened another set of doors and bowed them into the apartment.
     
     
Though apartment. Eve mused, was a poor word for it. The living area was enormous, full of color and flowers and soft, soft fabrics. More art decorated the walls here as well.
     
     
She noted wide doorways right and left, another leading down the side of the room and calculated that Browning and Brightstar didn't live on the fifteenth floor. They were the fifteenth floor.
     
     
"Please be seated," the droid told them. "Professor Browning will be right with you. And might I offer you some refreshment?"
     
     
"We're fine, thanks."
     
     
"Family money," Peabody said out of the side of her mouth when they were left alone. "Both of them, but Brightstar's seriously loaded. Not Roarke loaded, but she can roll naked in it without worrying. Angela Brightstar's the Brightstar of Brightstar Gallery on Madison. Swank artsy joint. I went to a showing there once with Charles."
     
     
Eve stepped up to a painting that was slashes of color, lumps of texture. "How come people don't paint houses or something? You know, stuff that's real?"
     
     
"Reality is all perception."
     
     
Leeanne Browning entered. You couldn't say she came in, Eve thought. When a woman was a good six feet tall, lushly built, and draped in a glistening robe of silver, she entered.
     
     
Her hair was a long fall of sunlight to her waist, her face equally striking with its wide mouth and deeply indented top lip. Her long nose tipped up at the end, and her wide eyes were a vivid shade of purple.
     
     
Eve recognized her as the model for the white statue in the entrance area.
     
     
"Excuse my appearance." She smiled in the way a woman smiled when she knew she made an impression. "I was posing for my companion. Why don't we sit, have something cool, and you can tell me what brings the police to my door."
     
     
"You have a student. Rachel Howard?"
     
     
"I have a number of students." She arranged herself on a poppy colored sofa, as cannily, Eve thought, as the art was arranged on the wall. And for the same purpose. Look at me, and admire. "But yes," she continued, "I know Rachel. She's the sort of student who is easily remembered. Such a bright young thing, and eager to learn. Though she's only taking my course as a filler, she does good work."
     
     
Her smile was lazy. "I hope she's not in any trouble-though I must admit, I think it's a pity if young girls don't get in some trouble now and then."
     
     
"She's in a great deal of trouble, Professor Browning. She's dead."
     
     
The smile vanished as Leeanne pushed herself straight. "Dead? But how did this happen? She's just a child. Was there an accident?"
     
     
"No. When did you see her last?"
     
     
"At class, last night. God, I can't quite think." She pressed her fingers to her temple. "Rodney! Rodney, bring us something... something cold. I'm sorry, I'm so very sorry to hear this."
     
     
The flirtation, the smug female arrogance was gone now. Her hand dropped into her lap, then lifted helplessly. "I can't believe it. I honestly can't believe it. You're certain it's Rachel Howard?"
     
     
"Yes. What was your relationship with her?"
     
     
"She was a student. I saw her once a week, and she attended a workshop I give the second Saturday of each month. I liked her. She was, as I said, bright and eager. A pretty young thing with her life ahead of her. The sort

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