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airbrushed cosmic designs that cram the infinite expanse of the planetary realm into the domestic confines of a mass-produced double bed. It was laughable, really. So much was laughable. In the corner of the bedroom was a large canvas where Angelica had expressed herself through the medium of Infant Art – capital I, capital A. One of her therapists had told her to paint with the innocence of a child. Angelica had finger-painted a sun and blue sky, except that her thumb had smudged the acrylic so that the sun’s rays turned green at the tips. It was endearing and awful. He listened to the message a final time and found he could read even less into it than before.
    ‘Honey? I said it’s ready. Are you coming down? They’re going to be here any minute and I’d really love it if you could …’
    ‘I said I’m coming.’
    He remembered Nathan the last time he’d seen him, standing under the summer stars in a forest clearing, naked from the waist up, standing perfectly still while a throbbing press of dancers ululated around him. He’d seemed somehow beyond it all, beyond time. Where
had
he been the past year and a half?
    Daniel found some jeans on the end of the bed and half-heartedly pushed his feet through the legs. He wanted to get back into bed and sleep. He wondered if he should tell Angelica about the message and then realised, with a little drop somewhere in his small intestine, that he wasn’t really wondering at all, merely pretending to himself that he was wondering. This was something he was capable of. He could go through the motions of decency in order to soften the inevitable indecency at the end. Whatever your moral fibre, as Katherine had always been fond of explaining, convenience trumped ethical resolve every time. Why else would God have invented remorse?
    ‘What are you doing up there?’
    ‘Nothing, honey, I’m just …’ He swept his thumb across the screen of his phone, clearing a moist print. ‘Just changing, that’s all.’
    Downstairs, he found Angelica swaddled in oven gloves, bearing aloft a glass baking dish filled with what looked like lentil cement.
    ‘Who was that on the phone?’ she said, standing in the doorway between the kitchen and the dining room, lit from behind by the halogen bulbs that spotlit the worktops, her face in shadow, her hair oddly aflame at the edges. She was holding up the food like it was some sort of offering, as if they’d have to kneel to eat it. She looked happy and precarious. He told himself she might drop the dish if he was honest.
    ‘No one,’ he said. ‘Wrong number.’
    Angelica had been holding something delicate, he thought – it would have been incautious to tell her. But then, Daniel considered all disclosure incautious, and as long as he’d known her, there had never been a time when Angelica, metaphorically speaking, wasn’t bearing something delicate, something she was holding out to him like a fragile sacrifice, and even when she wasn’t, there had never been a time when Daniel had struggled to imagine she was. And anyway, there was always something going round and Daniel was always coming down with something, or always feeling that next week he’d be less tired, less resentful, stronger, happier. But he never was. There was never, in so many ways, a good time.

    W hen Daniel was six years old, his father took him to the office for the morning. There was, his father explained, no choice. Daniel had been up all night with an earache and couldn’t go to school. Daniel’s mother was away visiting her sister. Would he rather stay home alone?
    It was a manipulative question. Daniel, at around the age of four, had developed a morbid fear of solitude. He woke in the night screaming, convinced he’d been abandoned or that his parents had died in their sleep. Later, some years after the trip to the office, when his mother announced, with what appeared at the time to be no warning at all, that she was leaving to go and live with a man