do â¦
⢠⢠â¢
Steve: Do you find it exhausting looking after a baby?
Rob: Yes â¦
⢠⢠â¢
Man on Street: Are you Steve Coogan?
Steve: Yes, I am
.
Man: Aha!
Steve: Aha
.
Man: All right, man. How you doing?
Steve: Fine, thanks
.â¦
Man: Can I ask you a question?
Steve: Yeah, of course, absolutely
.
Man: Is it true what I read about you?
Steve: What do you read about me?
Man: That youâre a bit of a cunt
.
Steve: Well, where did you read that?
Man: Itâs in todayâs newspaper. Here, look. (Holds up a newspaper with the headline âCOOGAN IS A CUNTâ)
Steve: Uh, whoever said that doesnât know me very well
.
Man: Are you sure? (Unfolds newspaper with full headline: âCOOGAN IS A CUNT SAYS DADâ)
⢠⢠â¢
Steve: Iâm sure people think weâre gay
.
Rob: I donât care
.
⢠⢠â¢
Rob: (at home after the trip) Hello â¦
Sally: Iâve missed you
.
⢠⢠â¢
Steve walks around his empty apartment, looks through his mail, sighs. Piano music
.
⢠⢠â¢
Rob: (playing with his daughter, then sharing dinner with Sally) â¦Â delightful homecomings â¦
⢠⢠â¢
Steve: (watching a video of himself with Mischa, then leaving a message on his agentâs voice mail) Iâm not going to do the HBO pilot â¦Â Iâve got kids â¦Â Bye
.
⢠⢠â¢
Rob: (hugging Sally) I donât like being away from you
.
⢠⢠â¢
Steve is alone in his apartment
.
⢠⢠â¢
Film ends. Credits
.
DAVID: Itâs pretty great, isnât it? Weâre watching the trading of skins. I love that moment when Brydon, even though hethinks of himself as a domestic man, comes on to that girl and gets rebuffed.
CALEB: You almost want to see what would have happened.
DAVID: The way he crawls back to his original position on the couchâitâs hard to watch.
CALEB: Heâs relieved he doesnât have to go through with it. Did he do it because heâs not happily married?
DAVID: To me, no. Itâs because he feels pressure from Coogan to act out. Then, of course, at the end, thereâs Coogan, looking forlornly at his copy of
Vanity Fair
.
CALEB: âIâm not going to do the HBO pilot. Iâve got kids. Bye.â
DAVID: Itâs incredibly beautiful, but the first time I watched it I thought (and Laurie did, too) the ending was a little too easy. I wish they hadnât oversold the pathos.
CALEB: Itâs almost a happy ending, even a moral ending, which I thought you were supposedly against.
DAVID: I cry at
Friday Night Lights
.
CALEB: Coogan chooses fatherhood. And Brydon probably feels relieved he didnât cheat, as he returns to his wife and child.
DAVID: I can feel Cooganâs loneliness at the end. Itâs quite palpable.
CALEB: And he realizes this. Even though his children live with his ex, he chooses them. He wonât advance his career if it means heâll be a nonexistent father.
DAVID: I think Iâm starting to fade. Iâll see you tomorrow, Caleb.
CALEB: Good night.
DAY 2
CALEB: Did you and Laurie ever discuss having a second kid?
DAVID: Yes. In what was probably not my greatest moment, I said no.
CALEB: No?
DAVID: I was teaching twelve months a yearâfour quarters at the UW plus any visiting teaching gigs that came upâto make ends meet, and had no time to write. Now all I do is think about Natalie, but those first couple of years I wasnât hugely loving being a parent, I must admit. And, probably most importantly, Laurie and I werenât getting along that well.
CALEB: Whatâs the age difference between you and Laurie?
DAVID: Weâre the same age. She had the famously bad formulation of âWeâre not getting along that great, so letâs have a second kid.â My response was âIâm pretty ambivalent
Debra Doyle, James D. MacDonald