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be accessed either from the alley or from the front street via the driveway that ran alongside the house.
    The garage, which provided parking for Mitch’s truck and Holly’s Honda, featured windows on the ground floor and in the storage loft. Some were dark, and some were gilded with reflected sunlight.
    No window revealed a ghostly face or a telltale movement. If someone was watching from the garage, he would not be careless. He would be glimpsed only if he wished to be seen for the purpose of intimidation.
    From the roses, from the ranunculus, from the corabells, from the impatiens, slanting sunlight struck luminous color like flaring shards in stained-glass windows.
    The butcher knife, wrapped in bloody clothes, had probably been buried in a flower bed.
    By finding that bundle, retrieving it, and cleaning up the blood in the kitchen, he would regain some control. He’d be able to react with greater flexibility to whatever challenges were thrust upon him in the hours ahead.
    If he was being watched, however, the kidnappers would not view his actions with equanimity. They had staged his wife’s murder to box him in, and they wouldn’t want the box to be deconstructed.
    To punish him, they would hurt Holly.
    The man on the phone had promised that she would not be
touched,
meaning raped. But he had no compunctions about hitting her.
    Given reason, he would hit her again. Punch her. Torture her. Regarding those issues, he had made no promises.
    To dress the set of the staged homicide, they had drawn her blood painlessly, with a hypodermic syringe. They had not, however, sworn to spare her forever from a knife.
    As instruction in the reality of his helplessness, they might cut her. Any laceration she endured would sever the very tendons of his will to resist.
    They dared not kill her. To continue controlling Mitch, they had to let him speak to her from time to time.
    But they could cut to disfigure, then instruct her to describe the disfigurement to him on the phone.
    Mitch was surprised by his ability to anticipate such hideous developments. Until a few hours ago, he’d had no personal experience of unalloyed evil.
    The vividness of his imagination in this area suggested that on a subconscious level, or on a level deeper than the subconscious, he had known that real evil walked the world, abominations that could not be faded to gray by psychological or social analysis. Holly’s abduction had raised this willfully repressed awareness out of a hallowed darkness, into view.
    The shadows of the queen palms, stretched toward the backyard fence, seemed taut to the snapping point, and the sun-brightened flowers looked as brittle as glass. Yet the tension in the scene increased.
    Neither the elongated shadows nor the flowers would snap. Whatever strained toward the breaking point, it would break
within
Mitch. And though anxiety soured his stomach and clenched his teeth, he sensed that this coming change would not be a bad thing.
    At the garage, the dark windows and the sun-fired windows mocked him. The porch furniture and the patio furniture, arranged with the expectation of the enjoyment of lazy summer evenings, mocked him.
    The lush and sculpted landscaping, on which he had spent so many hours, mocked him as well. All the beauty born from his work seemed now to be superficial, and its superficiality made it ugly.
    He returned to the house and closed the back door. He did not bother locking it.
    The worst that could have invaded his home had already been here and had gone. What violations followed would be only embellishments on the original horror.
    He crossed the kitchen and entered a short hall that served two rooms, the first of which was a den. It contained a sofa, two chairs, and a large-screen television.
    These days, they rarely watched any programs. So-called reality TV dominated the airwaves, and legal dramas and police dramas, but all of it bored because none of it resembled reality as he had known it; and now he knew