known the manâs name, so how could I remember it?
In fact, I must have seen his face when I went to the airport to meet Petra. But in that crush I hadnât had the slightest idea who was the film director or who was the gaffer. I didnât think Iâd read anything about this director anywhere. What had Petra said about him? Then suddenly, I realized that Petra and I hadnât discussed the film at all. I didnât even know what part Petra was playing, never mind the directorâs name or the subject of the film. This blonde journalist undoubtedly knew much more about these things than me.
I called Room 724 from the telephone at reception. It rang for a long time, but nobody answered. That initiative had also failed. I could have gone home or to the shop, but curiosity got the better of me. I returned to the café and sat at a table where I could overhear what the journalists were saying. I waited and waited, jumping up every so often to dial 724 on the internal telephone. What I was waiting for, I had no idea, but I certainly knew I wasnât just waiting in case I was needed by Petra.
Realizing I wasnât going to get the information I wanted by eavesdropping on the journalists at the next table, I interrupted their conversation with an apology and asked the name of the murder victim. The plumpest and friendliest-looking of them asked, âWhy do you want to know?â
âI just wondered if he was someone famous,â I said. âThe hotel is swarming with police and journalists.â
âHe wasnât actually famous or anything,â said the friendly young man. âHis name was Kurt Müller, but Iâve never heard of him.â
I was getting into conversation with yet another man who probably didnât even know who Steven Spielberg was.
âHmmm,â I said to myself. âKurt Müller,â I repeated. What an ordinary name, even for a murder victim.
The chubby young man looked eager to talk; he pulled his chair up to my table and pointed towards the packet of cigarettes lying on the table. I held out the packet to him. âWhoâs this Kurt Müller?â I asked.
âA film crew came here from Germany three days ago to shoot a film. You must have read about it in the papers,â he said, lighting a cigarette. âThe murdered man was the film director. He was found dead in his room at about five oâclock this morning⦠How he died, we donât know either. The police havenât made a statement about anything yet. All we know is that there is a murder suspect.â
It was long past noon and I decided I couldnât spend the whole day sitting in that hotel café. I could go to the shop and relieve Pelin, which would at least be doing something useful. I used the internal telephone at reception to try Petraâs number one last time. I no longer expected an answer, and there was none.
Any reader who thinks I was feeling mad with frustration is utterly wrong. On the contrary, I was absolutely calm and simply following my destiny. Could life be any more straightforward than this? I, a seller of crime fiction, had glimpsed an opportunity of being an amateur detective, but now that opportunity had disappeared, and I would just carry on with my ordinary life. The shocks of the last few days, and the effect of all the coffee Iâd drunk while waiting for a murderer to approach my table with his murder weapon and bloodied hands, was more than enough for me. I decided it was time to give up my passion for detective work.
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However, for some reason, this opportunity for detective work, which I thought had been and gone, was not going to leave me alone.
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You now know all about Istanbul traffic and the problems of parking. Itâs really not a pretty sight to see me struggling with all that. However, I managed to reach the shop without leaning out of the window to swear at the driver in front of me or quarrelling