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briefly. She had enrolled the kids in an American school, and after the film was finished, when she decided to move to Paris, she had found this house, just off the rue Jacob. It had been a little gem, on a private courtyard, with a lovely garden behind it. The house had been just big enough for them, and had endless charm. The children's rooms and the nanny had been on the top floor with oeil de boeuf windows and a mansard roof. Her room on the floor below it had been worthy of Marie Antoinette, with huge, high ceilings, long French windows that looked out over the garden, eighteenth-century floors and boiseries , and a pink marble fireplace that worked. She had an office and a dressing room near her bedroom, and a huge tub where she took bubble baths with Chloe, or relaxed on her own. On the main floor there was a double living room, a dining room and kitchen, and an entrance to the garden, where they ate in spring and summer. It was an absolute beauty of a house, built in the eighteenth century for some courtesan or other. She had never learned its full history, but one could easily imagine it being very romantic. And it had been for her as well.
    She found the house easily, and walked into the courtyard, as the doors were open. She stood looking up at her old bedroom windows, and wondered who lived there now, if they were happy, if it had been a good home for them, if their dreams had come true there. She had been happy there for two years, and then at the end very sad. She had left Paris with a heavy heart. Just thinking back to that time, she could feel the weight of it even now. It was like opening a door she had kept sealed for the past fifteen years, and remembering the smells and sounds and feelings, the thrill of being there with her children, of making new discoveries, and establishing a new life, and then leaving finally to go back to the States. It had been a hard decision to make, and a sad time for her. She still wondered at times if she had made the right decision, if things would have been different if they'd stayed. But standing here now, she somehow felt she had done the right thing, for her kids, if nothing else. And maybe even for herself. Even fifteen years later it was hard to know.
    She realized now that this was why she had come. To figure it out again, to be sure she had been right. Once she knew that, in her soul, she would have some of the answers she needed for the book. She was traveling backward on the map of her life, before she could tell what had happened. Even if the book was fictionalized, she needed to know the truth first, before she could spin it into a tale. She knew too that she had avoided these answers for a long time, but she was feeling braver now.
    She walked slowly out of the courtyard with her head down, and bumped into a man walking through the gates. He looked startled to see her, and she apologized to him in French. He nodded, and walked on.
    Carole walked around the Left Bank after that, looking into antiques shops. She stopped at the bakery where she used to take the children, and bought “ macarons,” which she carried out in a little bag, and ate as she walked. The neighborhood was filled with bittersweet memories for her, which rushed over her like an ocean at high tide, but it wasn't a bad feeling. It reminded her of so much, and suddenly she wanted to go back to the hotel and write. She knew what direction the book should take now, and where she should start. She wanted to rewrite the beginning, and as she thought about it, she hailed a cab. She had been walking for nearly three hours, and it was already dark.
    She gave the driver the address of the Ritz, and they headed toward the Right Bank, as she sat back in the cab, thinking about her old house, and the things she'd seen that afternoon as she walked. This was the first time she had wandered around Paris and allowed herself to think of those things since she left. It had been different when she'd come here with