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it is unlikely that Adolf, now the only ‘man about the house’, grieved over his father. With his father’s death, much of the parental pressure was removed. His mother did her best to persuade Adolf to comply with his father’s wishes. But she shied away from conflict and, however concerned she was about his future, was far too ready to give in to Adolf ’s whims. In any case, his continued poor school performance in itself ruled out any realistic expectation that he would be qualified for a career in the civil service.
    His school record in the following two years remained mediocre. In autumn 1905, at the age of sixteen, he used illness – feigned, or most likely genuine but exaggerated – to persuade his mother that he was not fit to continue school and gladly put his schooling behind him for good with no clear future career path mapped out.
    The time between leaving school in autumn 1905 and his mother’s death at the end of 1907 is passed over almost completely in
Mein Kampf
. In these two years, Adolf lived a life of parasitic idleness – funded, provided for, looked after, and cosseted by a doting mother, with his own room in the comfortable flat in the Humboldtstraße in Linz, which the family had moved into in June 1905. His mother, his aunt Johanna, and his little sister Paula were there to look after all his needs, to wash, clean, and cook for him. His mother even bought him a grand piano, on which he had lessons for four months between October 1906 and January 1907. He spent his time during the days drawing,painting, reading, or writing ‘poetry’; the evenings were for going to the theatre or opera; and the whole time he daydreamed and fantasized about his future as a great artist. He stayed up late into the night and slept long into the mornings. He had no clear aim in view. The indolent lifestyle, the grandiosity of fantasy, the lack of discipline for systematic work – all features of the later Hitler – can be seen in these two years in Linz. It was little wonder that Hitler came to refer to this period as ‘the happiest days which seemed to me almost like a beautiful dream’.
    A description of Adolf ’s carefree life in Linz between 1905 and 1907 is provided by the one friend he had at that time, August Kubizek, the son of a Linz upholsterer with dreams of his own about becoming a great musician. Kubizek’s post-war memoirs need to be treated with care, both in factual detail and in interpretation. They are a lengthened and embellished version of recollections he had originally been commissioned by the Nazi Party to compile. Even retrospectively, the admiration in which Kubizek continued to hold his former friend coloured his judgement. But more than that, Kubizek plainly invented a great deal, built some passages around Hitler’s own account in
Mein Kampf
, and deployed some near plagiarism to amplify his own limited memory. However, for all their weaknesses, his recollections have been shown to be a more credible source on Hitler’s youth than was once thought, in particular where they touch upon experiences related to Kubizek’s own interests in music and theatre. There can be no doubt that, whatever their deficiencies, they do contain important reflections of the young Hitler’s personality, showing features in embryo which were to be all too prominent in later years.
    August Kubizek – ‘Gustl’ – was some nine months older than Adolf. They met by chance in autumn 1905 (not 1904, as Kubizek claimed) at the opera in Linz. Adolf had for some years been a fanatical admirer of Wagner, and his love of opera, especially the works of the ‘master of Bayreuth’, was shared by Kubizek. Gustl was highly impressionable; Adolf out for someone to impress. Gustl was compliant, weak-willed, subordinate; Adolf was superior, determining, dominant. Gustl felt strongly about little or nothing; Adolf had strong feelings about everything. ‘He had to speak,’ recalled Kubizek, ‘and needed