Itâs like that nut years ago who wrote in lipstick on the mirror, whatever his name was.â
âHere? One of our cases?â
âNo, Chicago. Catch me before I kill more. Whatever it was he wrote on the mirror.â
âThatâs what he wrote.â
âHe wanted them to stop him.â
âBut this guy doesnât want us to stop him. He doesnât say â Stop me!â â
â â Catch meâ was what he said. Heirens, that was his name. William Heirens. The guy in Chicago.â
â Our guy says I killed this girl and Iâm giving you a hint who she is, thatâs what he says in his note.â
âIn his first note. What about the other two?â
A copy of the second was on Meyerâs lap.
A WET CORPUS?
CORN, ETC?
âSame thing. Heâs telling us to pay attention here. I killed this woman, her nice white blouse is all covered with bloodâ¦â
âWhere does it say that?â
âMetaphorically. A wet corpus. A bloody body. Is what heâs saying. Do your usual corny thing, heâs saying.â
âAnd the third note?â
Carella glanced at the copy:
BRASS HUNT?
CELLAR?
âI donât know,â he said.
âI mean, she was killed in her own bedroom. Whatâs he talking about, a cellar?â
âI donât know. The techs didnât find any spent cartridge casings, so he canât mean brass in that way.â
âYouâre thinking, like, a hunt for brass shell casings?â
âYes, but we alreadyâ¦â
âLike heâs telling us we wonât find any shell casings cause the murder gun was an automatic?â
âBut we already know that. Ballistics already told us it was a forty-five.â
âSo heâs telling us again.â
âWhy?â
âBecause he thinks heâs smarter than we are. Heâs telling us weâre still in the cellar on this thing. No spent cartridge cases, we donât know what kind of gun, we donât know who the body is, weâre totally lost, weâre in the cellar. Heâs giving us all these hints, but weâre just plain stupid. Is what heâs saying.â
âMaybe,â Carella said.
âItâs the next driveway,â Meyer said. âWhere it says âMain Entrance.â â
âYou think he may have tossed the weapon in the basement?â Carella asked. âOn his way out of the building?â
âI donât think so,â Meyer said. âBut we can ask Mobile to check again.â
âIf not, whyâs he pointing us to the cellar?â Carella asked, and shook his head, and pulled the police sedan into Bonifaceâs parking lot.
Â
D ETECTIVE /S ECOND G RADE Cotton Hawes was enormously pissed off. Sitting up in bed, wearing a blue-striped hospital gown, a shaft of sunlight streaming through the bedside window to highlight the white streak in his otherwise red hair, he fumed and snorted about having been cold-cocked by a rooftop sniper, and having to spend the day hereâ¦
âFor observation !â he shouted. âWhat do they have to observe? Theyâve already cleaned and dressed the wound, what the hell do they have to observe?â
âYou got shot, Cotton,â Carella observed.
âIn broad daylight!â Hawes said. âCan you imagine someone shooting a cop in broad daylight?â
Meyer could imagine it.
âWhat was he thinking ?â Hawes said. âA cop? Broad daylight? A good thing Sharyn yanked me out of Flukeâs. They wanted to amputate the foot!â
âYou didnât happen to see the shooter, did you?â Carella asked.
âI was too busy ducking. He was on one of the rooftops across the way.â
âThe Eight-Six is already up there looking around,â Meyer said.
âSilk Stocking precinct.â
âWhoâs on it, do you know?â
âKling didnât say.â
âNot often