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When I read English at university his name wasn’t mentioned at all. But once upon a time White was very famous indeed. In 1938 he published a children’s book about the boyhood of King Arthur called The Sword in the Stone and it made his name and his fortune. Disney snapped up the rights and turned it into an animated cartoon. White went on to write The Once and Future King, which covered the rest of the Arthurian story, and that in turn inspired the stage-musical and film Camelot. White’s reworking of Arthurian legend was hugely influential: when you hear Kennedy’s White House described as Camelot, that is White – Jackie Kennedy quoted lines from the musical after her husband’s assassination. When you think of the wizard Merlin wearing a tall, peaked hat embroidered with stars, that is White too. And when I think of the U2 pilot up there reading a book about King Arthur, a book that had been wrenched strangely into a fairytale about American political life, I can’t help but think of a line written by the poet Marianne Moore: The cure for loneliness is solitude . And the solitude of the pilot in the spy-plane, seeing everything, touching nothing, reading The Once and Future King fifty thousand feet above the clouds – that makes my heart break, just a little, because of how lonely that is, and because of some things that have happened to me, and because T. H. White was one of the loneliest men alive.
    The Goshawk is the book of a young man. It was written before White’s better-known works, and before he was famous. It ‘would be about the efforts of a second-rate philosopher’, 10 he explained sadly, ‘who lived alone in a wood, being tired of most humans in any case, to train a person who was not human, but a bird’. When I read it again, years after that first childhood encounter, I saw more in it than bad falconry. I understood why people considered it a masterpiece. For White made falconry a metaphysical battle. Like Moby-Dick or The Old Man and the Sea , The Goshawk was a literary encounter between animal and man that reached back to Puritan traditions of spiritual contest: salvation as a stake to be won in a contest against God. That older, wiser me decided that White’s admissions of ignorance were brave rather than stupid. But I was still angry with him. First, because his hawk had suffered terribly as he tried to train it. And second, because his portrayal of falconry as a pitched battle between man and bird had hugely influenced our notions of what goshawks are and falconry is. Frankly, I hated what he had made of them. I didn’t think falconry was a war, and I knew hawks weren’t monsters. That small girl lying crossly on her bed was still cross.
    That is what I thought as I sat there staring at the open book on my desk, four months after my father died. I read on, and as I did, there was a tiny jolt that was a realisation of why my eyes had spurned the book for weeks. I knew that part of why I was cross was that I felt, for the first time, that my urge to train a hawk was for reasons that weren’t entirely my own. Partly they were his.

5
    Holding tight
    WHEN YOU ARE broken, you run. But you don’t always run away. Sometimes, helplessly, you run towards. My reasons weren’t White’s, but I was running just the same. It was a morning in early August, and I was four hundred miles from home. What I was doing felt like a drugs deal. It certainly looked like one. For minutes on end I’d paced up and down a Scottish quayside with a can of caffeinated soda in one hand, a cigarette in the other, and an envelope stuffed with £800 in twenty-pound notes in my back pocket. Over there in the car sat Christina, spectacularly impassive in a pair of aviator shades. She’d come along to keep me company, and I hoped she wasn’t bored. She was probably bored. Perhaps she was asleep. I walked back to the car. It was my father’s. I was driving it now, but the boot was full of things I couldn’t bring