Liar.
âThatâs so sad,â she says.
âWhat about you?â I ask. âBefore you were an ice ghoul . . . ?â
âOh yes! I grew up in a troupe, I had lots of brothers and sisters and parents. We were primate fundamentalists, you know? Itâs kind of embarrassing. But I still hear from some of the cousins now and thenâwe exchange insights once in a while.â She smiles wistfully. âWhen I was a ghoul, it was one of the few things that reminded me I had an alien side.â
âBut did you, when you were a ghoul, did you have . . . ?â
Her face freezes over: âNo, I didnât.â I look away, embarrassed for her. Why did I imagine I was the only liar at the table?
âAbout that food idea,â I say, hastily changing the subject, âIâm still trying out some of the eateries around here. I mean, getting to know whatâs good and figuring out who hangs out where. I was thinking about going for a meal and maybe seeing if a few acquaintances are around afterward, Linn and Vhora. Do you know them? Theyâre in rehab, too, only theyâve been out a bit longer than us. Linnâs doing craft therapy, ad hoc environmental patching, while Vhoraâs learning to play the musette.â
âDid you have anywhere in particular in mind to go and eat?â She unfreezes fast once weâre off the sensitive subject.
âI was thinking a pavement cafe in the Green Maze that hangs off the back of the Reich Wing looked like a possibility. Itâs run by a couple of human cooks who design historically inauthentic Indonesian tapas in public. Itâs strictly recreational, a performance thing: They donât actually expect you to eat their prototypesânot unless you want to.â I raise a finger. âIf that doesnât interest you, thereâs a fusion shed, also in the Green Maze, that I cached yesterday. They do a decent pan-fried calzone, only they call it something like a dizer or dozer. And thereâs always sushi.â
Kay nods thoughtfully. âPlausible,â she agrees. Then she smiles. âI like the sound of your tapas. Shall we go and see how much we can eat? Then letâs meet these friends of yours.â
Theyâre not friends so much as nodding acquaintances, but I donât tell her that. Instead, I pay up with a wave at the billpoint, and we head for the back door, out onto the beautiful silvery beach that the rehab club backs on to, then over to a rustic-looking door that conceals the gate to the green maze. Along the way, Kay pulls a pair of batik harem pants and a formally cut black-lace jacket out of her waist pouch, which is an artfully concealed gate opening on a personal storage space. Both of us are barefoot, for although there is a breeze and bright sunlight on our skin, we are fundamentally as deep indoors as it is possible for humans to get, cocooned in a network of carefully insulated habitats floating at intervals of light kiloseconds throughout a broad reach of the big black.
The Green Maze is one of those rectilinear manifolds that was all the fashion about four gigasecs ago, right after the postwar fragmentation bottomed out. The framework consists of green corridors, all straight, all intersecting at ninety-degree angles and held together by a bewildering number of T-gates. Actually, itâs a sparse network, so you can go through a doorway on one side of the maze and find yourself on the far side, or several levels up, or even two twists, a hop, and a jump behind the back of your own head. Lots of apartment suites hang off it, including the back entrance to my own, along with an even more startling range of cubist-themed public spaces, entertainment nooks, eateries, resteries, entertainment venues, and a few real formal hedge mazes built in a style several tens of teraseconds older.
Needless to say, nobody knows their way around the Green Maze by memory or dead