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analyzed.
     
        Philosophy I: Everyone from Plato to Camus is read, and the following topics are covered:
       Ethics: The categorical imperative, and six ways to make it work for you.
       Aesthetics: Is art the mirror of life, or what?
       Metaphysics: What happens to the soul after death? How does it manage?
       Epistemology: Is knowledge knowable? If not, how do we know this?
       The Absurd: Why existence is often considered silly, particularly for men who wear brown-and-white shoes. Manyness and oneness are studied as they relate to otherness. (Students achieving oneness will move ahead to twoness.)
     
        Philosophy XXIX-B: Introduction to God. Confrontation with the Creator of the universe through informal lectures and field trips.
     
        The New Mathematics: Standard mathematics has recently been rendered obsolete by the discovery that for years we have been writing the numeral five backward. This has led to a reevaluation of counting as a method of getting from one to ten. Students are taught advanced concepts of Boolean Algebra, and formerly unsolvable equations are dealt with by threats of reprisals.
     
        Fundamental Astronomy: A detailed study of the universe and its care and cleaning. The sun, which is made of gas, can explode at any moment, sending our entire planetary system hurtling to destruction; students are advised what the average citizen can do in such a case. They are also taught to identify various constellations, such as the Big Dipper, Cygnus the Swan, Sagittarius the Archer, and the twelve stars that form Lumides the Pants Salesman.
     
        Modern Biology: How the body functions, and where it can usually be found. Blood is analyzed, and it is learned why it is the best possible thing to have coursing through one’s veins. A frog is dissected by students and its digestive tract is compared with man’s, with the frog giving a good account of itself except on curries.
     
        Rapid Reading: This course will increase reading speed a little each day until the end of the term, by which time the student will be required to read The Brothers Karamazov in fifteen minutes. The method is to scan the page and eliminate everything except pronouns from one’s field of vision. Soon the pronouns are eliminated. Gradually the student is encouraged to nap. A frog is dissected. Spring comes. People marry and die. Pinkerton does not return.
     
        Musicology III: The Recorder. The student is taught how to play “Yankee Doodle” on this end-blown wooden flute, and progresses rapidly to the Brandenburg Concertos. Then slowly back to “Yankee Doodle.”
     
        Music Appreciation: In order to “hear” a great piece of music correctly, one must: (1) know the birthplace of the composer, (2) be able to tell a rondo from a scherzo, and back it up with action. Attitude is important. Smiling is bad form unless the composer has intended the music to be funny, as in Till Eulenspiegel, which abounds in musical jokes (although the trombone has the best lines). The ear, too, must be trained, for it is our most easily deceived organ and can be made to think it is a nose by bad placement of stereo speakers. Other topics include: The four-bar rest and its potential as a political weapon. The Gregorian Chant: Which monks kept the beat.
     
        Writing for the Stage: All drama is conflict. Character development is also very important. Also what they say. Students learn that long, dull speeches are not so effective, while short, “funny” ones seem to go over well. Simplified audience psychology is explored: Why is a play about a lovable old character named Gramps often not as interesting in the theatre as staring at the back of someone’s head and trying to make him turn around? Interesting aspects of stage history are also examined. For example, before the invention of italics, stage directions were often mistaken for dialogue, and great actors frequently found