which was fine, he pointed out,
because if he was anti-spot and E. J. Murgatroyd was anti-spot, they could get together and do something about them. What brought home the bacon on these occasions, said Tipton, was team spirit and that shoulder-to-shoulder stuff. There was a song, he added, about the Boys of the Old Brigade, which illustrated what he had in mind.
Sighing rather heavily, E. J. Murgatroyd then fastened a sort of rubber contrivance about Tipton's biceps and started tightening it, keeping his eye the while upon what appeared to be some kind of score sheet on his desk. Releasing him from this, he said he didn't like Tipton's blood pressure. Tipton, surprised, for this was the first time he had heard of it, said had he a blood pressure? And E. J. Murgatroyd said yes, and a very high one, and Tipton said that was good, wasn't it, and E. J. Murgatroyd said no, not so good, and began to tap him a good deal. Then, having asked some rather personal and tactless questions concerning Tipton's general scheme of life, he delivered his verdict.
The spots, he said, considered purely as spots, were of no great importance. If there had been nothing wrong with him but the spots, Tipton could have sneered at them. But taken in conjunction with a number of other things which he had noticed in the course of his investigations, they made it clear to him that his patient was suffering from advanced alcoholic poisoning and in serious danger of being written off as a. total loss. It was in vain that Tipton protested that he had never felt better in his life. E. J. Murgatroyd merely came back at him with the moody statement that that was often the way. Such a lull before the storm, he said, generally heralded the final breakdown.
And when Tipton asked him what he meant by 'final breakdown', E. J. Murgatroyd – his first name was Edward – came
right out into the open and stated that if Tipton did not immediately abstain from alcoholic stimulants and retire to some quiet spot where he could live a life of perfect calm, breathing none but the best and purest air and catching up with his sleep, he would start seeing things.
Seeing things?
What sort of things?
Ah, said E. J. Murgatroyd, that was not easy to say. It might be one thing, or it might be another. Lizards ... spiders ... faces.... Well, to give Tipton some sort of idea of what he meant, he instanced the case of a patient of aristocratic lineage who, after cutting much the same wide swath in the night life of the metropolis as Tipton had been cutting, had supposed – erroneously – that he was being followed about by a little man with a black beard.
The interview had concluded with him getting into Tipton's ribs for three guineas.
As Tipton came out through the brass-plated door, there was a cloud on his erstwhile shining face, and he was muttering to himself. What he was muttering was: 'Three smackers. Chucked away. Just like that,' and his intonation was bitter. For, except when scattering it right and left in moments of revelry, he was inclined to be careful with his newly-acquired wealth. With a dark frown he hailed a cab and directed the driver to take him back to Barribault's. Reaching in his pocket for the materials for a soothing smoke, he had just discovered that he had left his cigarette case in his bedroom.
His mood was sceptical and defiant. His had not been a sheltered life, and he supposed that, taking it by and large, he had heard so much apple-sauce talked in his time as most people; but never in a career greatly devoted to listening to apple-sauce
had his ears been affronted by such Grade A apple-sauce as that which E. Jimpson Murgatroyd had just been dishing out.
If E. Jimpson Murgatroyd had pulled a similar line of talk on one of those grey mornings when he had reclined limply in a chair with ice on his forehead and the bicarbonate of soda bottle within easy reach, he might have attached some credence to his wild theories. There had been times during
Tess Monaghan 05 - The Sugar House (v5)