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neatly into two old hat boxes. For the rest of the day and all through the next, interested staff of Madam Opera’s Estimable Marine Society for Foundling Boys and Girls, the Vlinderstrat, Boschenberg, were a-bustle as Rossamünd was prepared for his great going forth. Even the madam herself joined in, drawing up a list of what he needed, entitling it Rossamünd’s Necessaries .
    Masters Fransitart and Craumpalin took Rossamünd to see Gauldsman Five, the gaulder. His was the best place in this part of the city to get clothing sturdy enough for Rossamünd’s journey, for Gauldsman Five made the best proofing. All proofing could turn sword strokes, and could even stop a ball fired from a musket or pistol. The simplest piece of proofing was costly, but the better the quality of protection the higher a garment’s price. Proofing was, however, also absolutely necessary for folk looking to venture beyond the city walls, where monsters and brigands and other horrors waited. It was made from cloth—anything from hemp to silk—treated with a chemical potion known as gauld, which made it very hard to tear or puncture. Broad straps of gauld-hardened leather and thin padding of soft, spongy pockweed were then sewn into the lining as the unproofed cloth was turned into garments. After this the whole array was soaked in gauld, and then cooked and soaked again and so on. Each gaulder had his own methods and process, and his own secret recipes. Rossamünd thought it almost too wonderful to believe that he might be getting such amazing clothing for his very own. He was speechless with glee as he left the marine society.
    Gauldsman Five’s shop and fitting rooms were a whole suburb away, in the Mortar, on Tin Drum Lane, and the visit there would be a little adventure in itself. Indeed, any excursion from the foundlingery was a significant event. Rossamünd had been out from Madam Opera’s only a dozen times in his whole life, usually to go down to the Humour with the other foundlings to practice rowing and swimming. In fact, before today, his most thrilling excursion had been a trip to the house of Verline’s sister Praeline in the shadows of Boschenberg’s outermost curtain wall.
    Fransitart, Craumpalin and Rossamünd went north along the Vlinderstrat, turned right onto the Weegbrug and then left onto the crazily curving Pantomime Lane. They strolled past alehouses, dance halls and puppet stalls, veered right once more onto the Hurlingstrat, dodging ox wagons and omnibuses, went through the Werkersgate and there, on the left hand, was Tin Drum Lane. Gauldsman Five’s establishment was about a third of the way along, tall and narrow like almost every other building in Boschenberg. Only those of quality were allowed in the front of the shop, where there were plush closets in which the wealthy and powerful could try on and admire their new proofing. Such ordinary folk as two marine society masters and a foundling had to use the poor man’s closets by the great gaulding vats at the rear of the shop. As they entered this filthy place, Rossamünd watched greenishorangey-yellow steam hiss angrily from one of the vats as an aproned man poured in a thick black liquid. A foul miasma churned in the dank air.
    Fransitart spoke quietly but urgently with some grimy fellow, who spoke to another grimy fellow, who spoke to another, and before long a finely dressed man in a powdered wig appeared from a door leading to the front of the shop. Though his simply cut clothes were made of expensive materials, he had a splotched and haggard look about his face—the mark of a vinegaroon. He was one of Gauldsman Five’s tailors. Fransitart must have known him and, from his look of consternation, the tailor must have known the dormitory master too.
    “’Ello, Meesius,” said Fransitart, a terrible light in his eye.
    “Coxswain Frans?” Meesius the tailor went pale. “Is that you? And . . . and with Craump’lin too?”
    Coxswain? Rossamünd had