mind.
âMaybe.â
âThing is, nobody saw anything. Pierce and your paisan ââand again, the knowing leerââwere standing right next to him. Workmen are all over the place. Bam, bam, somebody drops Henderson and disappears. Nobody seen nothing.â
âWorkmen doing what?â
âPutting up the flags and stuff.â
They were standing on the stage now, the flags and stuff hanging above them. A podium behind which Henderson would never stand was under a huge banner that stated LESTER MEANS LAW . Neither of the detectives knew what that meant.
âHow many workmen?â Carella asked.
âA dozen or so. I have the list.â
âNone of them saw anything?â
âI got some of my people out talking to them now. But I doubt weâll get lucky.â
âBut they were all there working when he got shot, is that it?â
âThey were all on the stage here, putting up things, testing mikes, whatever they do.â
âNobody in the wings?â
âJust the shooter.â
âLet me get this straightâ¦â
âSure.â
âHenderson is onstage with his people and a dozen workmenâ¦â
âIs the way I got it.â
ââ¦when six shots are fired.â
âTwo of them taking him in the chest. Four went wild.â
âAnd by the time anyone reacts, the shooter is gone.â
âThatâs the long and the short of it,â Ollie said.
Â
HE TOLD THE uniformed guard in the gate house booth that he was here to see Mrs. Henderson, and the guard checked his clipboard list, and then picked up the phone when he didnât see Carellaâs name on it. Apparently Pamela Henderson gave the okay; the guard told him it was the first house on the right on Prospect Lane, and then waved him on through.
It was a lovely spring day.
Carella drove on winding roads past men and women in white playing tennis under clear blue skies, boys and girls on the fields behind stolid Smoke Rise Academy, playing soccer and baseball in their gray-and-black uniforms, their vibrant voices oddly recalling a youth he thought heâd long forgotten. The Henderson house was a vast stone structure set on a good two acres of wooded land. He parked the car in the gravel driveway, walked to the front door, and pressed the bell under a brass escutcheon that read simply â26 Prospect.â A uniformed housekeeper answered the door and told him she would fetch Mrs. Henderson.
Pamela Henderson was a woman in her mid-forties, Carella guessed, tall and slender and exuding the sort of casual confidence women of wealth and influence often did. But she was not an attractive woman, he realized, her eyes somehow too small for her face, her nose a trifle too large. Newspaper reports would undoubtedly describe her as âhandsome,â the death knell for any woman who aspired to beauty.
Poised and polite, already wearing blackâalbeit jeans and a cotton turtleneckâshe greeted Carella at the door, and led him into the living room of her home perched on the river, afternoon sunlight streaming through French doors, a glimpse of the Hamilton Bridge in the near distance, the cliffs of the adjoining state bursting with the greenery of spring. Her eyes were as green as the faraway hills. She wore no makeup. A simple oversized gold cross hung on the front of the black cotton turtleneck.
âI understood from the newspapers that aâ¦different detective was investigating the case,â she said, hesitating slightly before the word âdifferent,â as if disapproving of either the false information in the papers or the unexpected turn the investigation had taken.
There was a certain formality here, a strict observance of the rules of sudden death and subsequent grief. Here were the stunned widow and the sympathetic but detached investigator, together again for the first time, with nothing to talk about but what had brought them to this