hole in her belly, there are unmistakable signs of gunfire in the woodwork by the closet door. It was there that she once shot up one half of an old pair of sneakers. “Self-defense,” she pleaded, when her parents complained. “It was a outlaw tennis shoe.
Billy the Ked.”
11.
SO SISSY LIVED IN RICHMOND, Virginia, in the Eisenhower Years, so called as if the passing seasons, with their eggs hatching and rivers rising, their cakes baking and stars turning, their legs dancing and hearts melting, their lamas levitating and poets doing likewise, their cheerleaders getting laid at drive-in picture shows and old men dying in rooms over furniture stores, as if they, the passing seasons, could be branded by a mere President; as if time itself could toddle out of Kansas and West Point, popularize a military jacket and seek election to Eternity on the Republican ticket.
In the croaked air of the Eisenhower Years in Richmond, Virginia, she must have been a familiar sight. In clothes that were either too big for her or too small—floppy coats whose hems rubbed the cement, summer slacks that disclosed everything anyone might wish to know about her socks—she moved through the city (the city of which it has been said, “It is not a city at all but the world's largest Confederate museum").
At all hours and in every weather the girl could be seen, if not admired.
Her soon-to-be-lovely features were still getting their sea legs and at that unsteady stage of their development must have clung clumsily to the bleached deck of her face (which, due to unusually high cheekbones, appeared as if it were pitched aslant in rough waters).
Her long, svelte body, as eloquently as it might assert itself, could not have been heard above the funky din of the clothing she wore.
Certainly her mind didn't count for much: in the sotweed suburb of South Richmond, no mind did. Few were the schoolmates to notice the headlight shine of her eyes and wonder who was driving around inside there.
When they said, “Here comes” (or “there goes) Sissy Hankshaw,” they meant “not a thumb more, not a thumb less.”
For wherever she went those wads of meat went with her; those bananas, those sausages, those nightsticks, those pinkish pods, those turds of flesh. She smuggled them around town in her baggy duds, launching them on appropriate corners and regarding them always as if they were manifestations of some secret she alone understood—although in the bank-vault air of the Eisenhower Years in Richmond, Virginia, they must have stood out like sore . . .
(It is surprising that she was so faintly remembered in Richmond in later years. When the author asked the late Dr. Dreyfus about that, the surgeon replied: “According to the artist Michelangelo, 'The human figure is the ideal ornament for the niche.' I don't suppose that means very much to you.")
If, like the cat that looked at the world through mouse-colored glasses, she was rather insular, let it not be supposed that she was immune from indulging those heightened hormone flows and colored thoughts that, of all the trillions of visceral/cerebral reactions triggered by the limbic system of our trigger-happy brains, we single out to honor as “true human feelings.”
One day, one spring Thursday near the end of a semester, more than three years after she had been examined by Dr. Dreyfus and a few months after Madame Zoe's special knowledge had come her way, she was invited to a party. It was to be a costume party, given by Betty Clanton, a druggist's daughter and one of the more privileged kids in that roach-gnawed, white-trash school.
All day Thursday Sissy thought she would not attend Betty's party. All day Friday and Friday night (when she lay awake on three, yes, three pillows) she thought she would not attend Betty's party. But late Saturday afternoon, with an overtime sun nosing into everything and green froggies peeping and honeysuckle affixing a sweet faint hem to the golden pungency