you?â I asked. Elenaâs squeamishness was beginning to irritate me.
âNo, I donât,â Elena said frantically. âI donât want to see it.â
I lowered the match over the shell. âYes you do.â
â No! â Elena shrieked. She grabbed the turtle from the table and rushed from the room.
âCome on, Elena,â I shouted, âyouâre crazy.â I darted after her.
She was already through the living room and I could see her running about in the front yard as if unsure what she should do next. I ran out onto the small porch.
âBring me that turtle,â I said. By then I had quite forgotten it was a gift for Elena.
Elena hugged the turtle to her. âNo. I wonât.â
âBring me that turtle, Elena,â I repeated.
Elena shrank back. âPlease, William.â
âHand it over,â I demanded. I took another step.
She stepped back again, squeezing the turtle tightly to her chest. âNo.â
I bolted forward and Elena rushed away from me. She was running frantically but I was gaining on her quickly. Then she suddenly veered to the right as she reached the edge of the sidewalk and I flew past her. As I whirled around, I saw her step into the middle of the walkway. She raised the turtle high above her head, and in one fierce movement she slammed it down against the pavement, cracking the shell with the blow.
I stared down at the broken turtle, horrified.
âAre you crazy, Elena?â I said. âWhy did you do that?â
Elena stood trembling on the sidewalk. For a moment she watched the insides of the turtle ooze out from the shattered shell. Then she walked silently back to the house, her long hair swaying left and right as she made her way through the thick covering of leaves that blanketed the yard.
Years later I related this incident to Jason. We were sitting in his apartment in the Village and he was looking very stately, pipe in hand, the smoke curled about his head.
âItâs an odd story, donât you think?â I asked.
âYes.â
âIâve never been able to figure it out, exactly. But Iâve never been able to shake it, either.â
âPerhaps thatâs only because Elena is so famous. Every little thing matters.â
âBut I kept remembering it long before that. Itâs one of my childhood memories, not just one about her.â
Jason nodded. âWhat is it that pesters you, William?â
âI donât know, exactly. The contradiction, I suppose. The idea of destroying a thing in order to save it.â
âYou mean the turtle?â
âOf course.â
Jason smiled. âYouâve got it all wrong, William. Elena didnât throw that turtle down to save it from its pain. She threw it down to save you from your cruelty.â
I leaned forward slightly. âSo she was just behaving like a sister?â
Jason nodded. âA dutiful sister, yes.â
Jason had the gift of giving everything he said the sound of indisputable authority, and yet I think that his interpretation may not have been correct. For her part, Martha related this same incident in her biography and used it to suggest Elenaâs early rebelliousness against male authority, first my fatherâs, then my own. But I have come to believe that Elena would have rejected any gift from me. For she was acting in defense of something far more important: the mood of thoughtfulness that had overtaken her, and which she would not permit to be stolen from her by small devices. All her life, my sister believed that she had an absolute right to her unease, that it was the central resource of her intelligence. âThere is a kind of anxiety that debilitates,â she wrote in Quality , âand a kind that ennobles, that offers resistance both to the inward and to the outward misery, that cries out for reformation, as the voice of Captain Vere does from the decks of the Indomitable , both