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fees to collect, and his apartment to clear out, on top of the legal mechanics of settling any estate.
    I was beginning to realize that a surprising amount of money would come to me eventually, but in the meantime, ready cash was in short supply. I hoped to raise funds by selling Uncle John’s furniture, but with so many estate liquidations, secondhand dealers had more stock than they could handle and paid just pennies on the dollar. And there was no market for anything Victorian anymore. Brash confidence might rule the business day and boozy flamboyance might dance through the night, but when people left the speakeasies? They wanted to go home to cozy houses filled with brand-new suites of “colonial” oak or the awful stuff that people of taste called “Flapper Phyfe.” As the weeks dragged on, the final expenses of three households piled up. The costs of caskets and burial plots had been added to all the usual bills: electricity, coal, telephone; grocery accounts, department store purchases. My salary from Murray Hill School had ceased the day I fell ill, and I fretted constantly about how long I could put off creditors while the estates were in probate.
    Then, while I was going through the contents of my brother-in-law’s files, a small miracle was revealed: Douglas had carried a life insurance policy. Though it was meant for Lillie and the boys, I was listed as contingent beneficiary, so the money would come to me: unlooked for, unwished for, but welcome all the same.
    My financial worries were allayed, but there was still the physical labor of sorting through the entirety of other people’s things. Minute by minute, I made thousands of little decisions: what to keep, what to sell, what to give away, what to have hauled to the dump. Until you’ve done it, you have no idea how draining that can be.
    Mumma’s death seemed only half real to me, surrounded as I was by her possessions. Even before I shipped Lillie’s things home, Mumma’s house—mine now, I slowly realized—was jammed with a half century’s accumulation, and there was no inch of it that did not speak to me of her.
    Her desk, a massive rolltop in a makeshift office, was formidably well organized, but the sheer volume of paper was daunting. There were yellowed newspaper clippings about dog shows, records of bloodlines, AKC registrations. Feed supplies and veterinarian bills. Records from the sewing machine business: accounts receivable and accounts payable, employee pay stubs several decades old. Mail of all kinds, each item read and returned to its carefully slit envelope, dated, and filed, “just in case.” Everything had to be opened, read, and dealt with.
    Mumma had lived through lean times: nothing potentially useful was ever discarded. Old clothes, old shoes, old handbags. Empty bottles of all descriptions, washed and stored in a closet. Bits of string—short lengths tied end to end, wound like yarn into balls. There were oak-slat baskets in every corner, filled with quilt pieces and rag rugs in progress; cigar boxes held skeins of ribbons, hoarded buttons, and wooden spools of thread. She kept the empty spools, as well. Just in case.
    As her only heir, I would benefit from Mumma’s parsimony, and from the carefully conserved proceeds from the sale of the sewing machine business, but I simply could not think in those terms, not yet. Overwhelmed, I often wandered from room to room, helpless in the face of it all, alone but surrounded by the dead, for every flat surface was peopled with framed studio portraits. Ernest and Lillian as children. Lillian and Douglas at their wedding. A series of the two boys, almost growing up. A stranger might have thought Mumma had only two children, but pictures of me were nearly always disappointing, you see. Why pay a photographer for something that wouldn’t bear looking at? I understood this, even as a child, though I won’t deny a lingering sense of invisibility.
    I found other evidence of my