hen party where they were all given pencils and paper and supposed to draw a buck naked model. She said he was a hunk who worked out at the gym and he had a good laugh with them. Not like this guy. Heâs gross.â
âThatâs mean.â
âItâs true.â
âYou want a chunky model. Better for drawing.â
âListen to the expert.â
âI was shocked, too,â Naseem said. âI hope my parents donât ask to see what I drew when I get home.â
âDonât,â Jem said. âMy Dad would be round the school Monday morning. We can say we watched the artists at work, which is true. Letâs agree on that, shall we?â
âBut we can tell the others at school,â Ella said.
âWe absolutely must. This is too good to waste. What did Tom say to you in the break?â
âHe was introducing me to some of the artists. Geraint, the one with the serial killer face. If you get a chance, take a look at his collection of knives, all laid out on the bench beside him. I said his work was fantastic and he called me a bloody liar, the only words he spoke.â
âCharming!â
âSo who did you start up a conversation with?â Ella said as if sheâd been socialising all morning.
âNo one in particular,â Jem said. âOne looks like a vicar. I heard Tom call him Bish.â
âA bishop?â
âI expect itâs a joke.â
âSomeoneâs coming.â
It was Ferdie, pushing a bag of compost in a wheelbarrow. Now that they knew he was Tomâs dad and the owner of the house, he would get more respect.
He stopped to speak. âWill you be coming every week, then?â
âNo. Some others will get a turn next Saturday. Tom says three at a time is best.â
âHow many of you are there?â
âIn our A level group? Twelve.â
âThatâs not many. And will you become better artists by coming here?â
âTom reckons,â Jem said.
âSeeing how real artists work is a big help,â Ella said.
âYouâre real, arenât you? You look real to me.â
âYou wouldnât call us artists if you saw our stuff,â Jem said.
Ferdie wagged a grimy finger. âNever undersell yourselves. From what Iâve seen of the art world, there are no rules about how it has to look. Itâs more about persuading people your product is special, and you wonât persuade anybody if you talk like that.â
âWe have to persuade Tom and an external examiner.â
âNo problem. Itâs a matter of confidence. Those artists in there have got it. They believe in themselves.â
âBe nice if some of that rubs off on us,â Ella said.
âItâs not for me to interfere,â Ferdie said, âbut I donât see why you have to take turns to visit here. You could take your drawing boards outside and draw the scenery. If the weatherâs bad you could do interiors in the house.â
âI donât know if Tom would agree,â Jem said.
âNever mind Tom. Would you find it useful?â
âIncredibly useful.â Jem was beginning to think they had an ally in Ferdie.
âIâll put a word in,â he said before wheeling his barrow away.
The girls returned for the afternoon session feeling more relaxed about life drawing, a state of affairs that didnât last. Tom announced that Davy the model would take up a new pose. Davy disrobed and stepped up with a wobble and a grunt and some minutes were spent deciding what was required. He was turned left and right and finally square on to the girls with legs astride and his member quivering.
âOkay for everybody?â Tom asked.
The girls were incapable of speech.
âCouldnât he do something different with the arms?â Drusilla said. âItâs too Neanderthal from here.â
âTry it with hands on hips,â Tom said to Davy.
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