track on a job. âHow are you, Bob-a-lou?â
âIâm fantastic,â he says. Bob is always âfantastic.â He puts me at armâs length. âYou look tired, Maggie, are you burning the midnight oil?â
Now,
I
can think I look tired and even
say
I look tired, but when someone else says I look tired, I get very untired and very defensive. âI didnât have time to even wash my face this morning and I just have voice-over things and I feel great actually, in fact, Iâm in the pink. But Iâve got to run.â I kiss him quickly on the cheek. âHowâs Piper?â Piper is Bobâs teacup poodle.
âKidney stones.â
âOh, no.â
âBut heâs going to be fine and dandy. So what are you up to?â
âYou know, the usual, voice-overs, kiddiesâ theater? I have a
Snow White
coming up.â
âWho do you play? The evil stepmother?â
âNo, Iâm Snow White,â I say. Bob looks at me and then lets out a huge laughâa guffaw actually.
âWhatâs so funny?â
âNothing. I was just thinking about you as Snow White. I bet youâre great. You must bring quite an edge to the role.â
âI do, and Iâm damn good. Sheâs not just an ingénue, sheâs a woman caught in the political machine of autocratic matriarchy. The kids fucking love it.â
âSounds great,â Bob says, suppressing another guffaw.
âCatch you later, Bob, got to run,â I practically spit at him as I head across the street. A car honks at me. I back up onto the curb.
âCareful, Mags,â Bob says. The light turns and I run to the other side. Ogre is what I would cast Bob as. A big, mean, thoughtless ogre. In spite of the ten million plus people in the New York area, itâs really a small town and you can never get from one end to the other without running into someone you know.
When I arrive at Donât Tell Mama, three people are sitting at the bar. The place doesnât officially open until four p.m., but a couple of hangers-on are always lounging on the barstools. I ask Freddie, the bartender, if Sidney is in his office.
âJust arrived.â He tosses the words in my direction, continuing his housecleaning in preparation for the night ahead. Bars are dreary places in the daytime; they look embarrassed, like a middle-aged woman without makeup caught in bad lighting. God, I know the feeling . . . and the look.
Sidney is sitting at his desk eating a turkey and cheese on ryeand sipping a large coffee, light and sweet. I know because I used to bring him one whenever I was doing a show. Sidney is a caffeine freakâIâve never seen him without a cup somewhere within reach.
âMaggie, how are you?â he says when I poke my head in the door. âCome on in. Long time no see.â He stands and extends his hand.
âIâm okay. How about you?â
âBusy. Always busy.â
âThatâs good, isnât it?â
âYou bet. Idle hands are the devilâs playground or something to that effect.â
âPlease donât let me keep you from your lunch.â I motion to his sandwich. âI was wondering about booking a couple of dates. Iâve decided to get back to my old act. Or rather, my new solo act. Anyway, shake my booty again before everything breaks down and my vocal cords retire.
âItâs been a while,â Sidney says.
âYeah, but Iâm still game and Iâve still got my money note, as they say in the biz.â I know Iâm smiling too much. âLook, why donât you finish your lunch and we can talk. Iâll be out at the bar.â
The phone rings.
âGreat,â Sidney says, picking up the receiver. âIâll see you in a few.â
I order a bottle of Rolling Rock from Freddie. Iâve run into Sidney off and on over the years, and he always says that when I feel like it I should