baritone, and Olga, who had a good contralto voice, sang harmony. Abilene felt the tears welling when they sang âCandle in the Wind.â
She turned away, hoping Donovan wouldnât notice and torment her about it.
But it was never a good bet, to hope that Donovan wouldnât notice.
When the last notes died away, he went for the throat. âAbilene. Are you crying? â
She blinked the dampness away, drew her shoulders back and turned to him. âOf course not.â
âLiar.â He held her gaze. His was blue and cool and distant as the desert sky on a winter afternoon. âYour eyes are wet.â
She sniffed. âAllergies.â
He refused to look away. She felt herself held, pinned, beneath his uncompromising stare. She also found herself thinking how good-looking he was. How compelling. And how totally infuriating. âItâs winter in the desert,â he said. âNobody has allergies now. Youâre crying. You protect yourself by pretending to be cool and sophisticated. But in your heart, youâre a complete sentimentalist, a big bowl of emotional mush.â
It occurred to her right then that he was right. And she wasnât the least ashamed of it. âOkay, Donovan. I plead guilty. I am sentimental. And really, what is so wrong with that?â
âSentimentality is cheap.â
Ben, sitting beside her, shifted tightly in his chair. âCut it out, Donovan.â
âBen.â She reached over and clasped his arm. âItâs okay.â
He searched her face. âYouâre sure?â
âI am positive.â She turned her gaze on Donovan. âA lot of things are cheap. Laughter. Honest tears. Good times with good friends. A motherâs love. A baby can have that love by the mere fact of its existence. Of its veryvulnerability, its need for affection and care. Cheap is not always a bad thingâand Iâll bet that when you were a child, you used to pull the wings off of butterflies.â She regretted the dig as soon as it was out. It wasnât true and she knew it. Whatever had shriveled his spirit had happened much more recently than his childhood.
He totally surprised her by responding mildly. âI was a very nice little boy, actually. Sweet-natured. Gentle. Curious.â
The question was there, the one that kept eating at her. She framed it in words. âSo then, what is it, exactly, thatâs turned you into such a bitter, angry man?â
He didnât answer. But he did look away, at last.
And for the rest of the evening, he was quiet. The few times he did speak, he was surprisingly subdued about it, almost benign.
Â
Ben brought her red velvet cake that night. âI figured you deserved it, after that dustup in the music room.â
âIt wasnât so bad, really. I shouldnât have said that about him torturing butterflies.â
âIt got him to back off, didnât it?â
âYeah. Butâ¦â
âWhat?â
âI donât know. Sometimes, in the past few days especially, I donât feel angry with him at all. I only feel sorry for him.â
Ben put on a frown. âSo then you donât want this cakeâ¦.â
She grabbed for it, laughing. âDonât you dare take that away.â
He handed over one of the plates and she gestured him inside. They sat on the couch as they always did when he brought dessert.
She took a couple of slow, savoring bites. âI donât know how Anton does it. Red velvet cake always looks so good, you know? But as a rule, itâs a disappointment.â
He nodded. âI know. Itâs usually dry. And too sweet.â
âBut not Antonâs red velvet cake.â She treated her mouth to another slow bite. âUmm. Perfect. Moist. And the cream cheese frosting is to die for. So goodâ¦â
Ben laughed. âYou should see your face.â
âCan you tell Iâm in heaven? Good company and a
Michelle Freeman, Gayle Roberts